By Terri Paddock|2020-03-27T12:20:37+00:0021 May 2020|
If you love Derren Brown, and magic and mind-reading generally, The Psychic Project, David Narayan's show based on the true story of the Cold War's psychic spies, is a must-see.
By Terri Paddock|2020-01-08T10:17:58+00:0029 November 2019|
How do you get SIX MILLION followers on Twitter? As someone who spends all day most days on social media, I'm staggered by the very notion. It must require divine intervention... of sorts.
By Terri Paddock|2020-01-25T15:49:52+00:0025 September 2019|
I was lucky enough to see the original Out of Joint production of The Permanent Way at the National Theatre in 2003. I remember being horrified by David Hare's verbatim play about railway privatisation, based on first-hand accounts.
By Terri Paddock|2020-01-25T22:02:14+00:0022 July 2019|
How did New Old Friends come to adapt Anthony Horowitz's 1986 children's novel The Falcon's Malteser into a hit family stage show? How has a new gender-equal, four-strong cast brought it to life for its London premiere?
By Terri Paddock|2020-01-25T22:41:31+00:003 July 2019|
How much do you know about Nina Simone? Guaranteed: after you see Black Is the Color Of My Voice, the one-woman play with music written by and starring young American theatremaker Apphia Campbell, you will be inspired to learn more.
By Terri Paddock|2020-02-01T23:40:38+00:0028 March 2018|
I first saw Harry Gibson's stage adaptation of Irvine Welsh's Trainspotting in the 1990s when I was a recently-arrived-from-America twenty-something in London.
By Terri Paddock|2020-03-27T17:39:45+00:0017 July 2017|
Before I attended King Kong, Daniel Clarkson's bonkers stage parody of the 1933 film classic, last week at The Vaults, I never knew there was such a thing as a nose flute.
By Terri Paddock|2020-03-27T18:38:52+00:0014 April 2017|
What a great way to get the Bank Holiday weekend off with a swing. Last night, I hosted a post-show Q&A at Miss Nightingale. This original British musical is now in its sixth iteration - musicals, as Sondheim says, aren't written but re-written - since starting life as a short piece in Ipswich and at the King's Head Theatre in 2011.