The Permanent Way Q&A video and photos: Why is a play about railway privatisation more relevant than ever?
I was lucky enough to see the original Out of Joint production of The Permanent Way at the National Theatre in 2003. I remember being horrified by David Hare’s verbatim play about railway privatisation, based on first-hand accounts, including the people behind the body counts of the four major rail disasters between 1997 and 2002.
With Alexander […]
How did New Old Friends come to adapt Anthony Horowitz’s 1986 children’s novel The Falcon’s Malteser into a hit family stage show? How has a new gender-equal, four-strong cast brought it to life for its London premiere? And what do the kids – and parents – in the audience think?
I had such a giggle […]
How much do you know about Nina Simone? Guaranteed: after you see Black Is the Color Of My Voice, the one-woman play with music written by and starring young American theatremaker Apphia Campbell, you will be inspired to learn more.
The “High Priestess of Soul” Nina Simone was born Eunice Kathleen Waymon in Tryon, North […]
How did Irvine Welsh’s Trainspotting become a cultural phenomenon? I’m finally ready to immerse myself
I’ve always been squeamish about needles. And I’m not much better with graphic drug-taking by any other method either. I first saw Harry Gibson’s stage adaptation of Irvine Welsh’s Trainspotting in the 1990s when I was a recently-arrived-from-America twenty-something in London. My memory of the experience involves nausea and confusion (I wasn’t able to understand much of what the […]
Before I attended King Kong, Daniel Clarkson’s bonkers stage parody of the 1933 film classic, last week at The Vaults, I never knew there was such a thing as a nose flute.
Now I will never forget! A diva nose flautist is one of the hundreds (?) of characters portrayed by King Kong’s multi-roling cast of […]
What a great way to get the Bank Holiday weekend off with a swing. Last night, I hosted a post-show Q&A at MISS NIGHTINGALE. This original British musical is now in its sixth iteration – musicals, as Sondheim says, aren’t written but re-written – since starting life as a short piece in Ipswich and […]