Terri Paddock events

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Chaplin post-show video and photos: What led to the birth of the Little Tramp?

By |2020-02-21T19:28:12+00:008 February 2020|Tags: , , , , |

Have you ever seen Charlie Chaplin's classic film The Great Dictator? Eighty years after it was released, it feels terrifyingly current. We get a glimpse of why with the inclusion of its final speech in Arrows & Traps' latest offering.

The Jury post-show video and photos: How do social biases affect our judgments?

By |2020-02-14T11:34:15+00:007 February 2020|Tags: , , , , , , |

Are you aware of your inherent biases about gender? How much do they affect your judgments about women or men are capable of? What about when it comes to a violent crime?

For the Sake of Argument post-show video and photos: How did Christopher Hitchens inspire this provocative new play?

By |2020-02-07T13:00:01+00:0031 January 2020|Tags: , , , , , |

Have you ever been powerfully persuaded by something you've read in a newspaper? Should journalists be held responsibility for the consequences of the articles they write?

Magic Goes Wrong post-show video and photos: How well do comedy, Mischief and magic mix?

By |2020-01-31T13:21:01+00:0026 January 2020|Tags: , , , , , |

As their episodes of The Goes Wrong Show continue to delight television audiences, I was delighted to continue my series of Mischief Theatre talks with a return to the Vaudeville Theatre to catch up with the company’s co-writers – Jonathan Sayer, Henry Lewis and Henry Shields – and their co-stars in the latest goes-wrong stage comedy.

Magic Goes Wrong

By |2020-01-03T13:17:51+00:0023 January 2020|Tags: , , , , , , , , , |

In the latest of a monthly series of Mischief Theatre post-show talks in the West End, I'll return to the Vaudeville Theatre, where, following Groan Ups, the company's year-long season of new work continues with a brand-new 'goes wrong' comedy.

COPS post-show video and photos: What is an “actor’s play” and why are there so few of them?

By |2020-01-26T19:54:16+00:0018 January 2020|Tags: , , , |

To me, COPS, set in 1950s Chicago, comes across as so authentically period that it feels like it must be a finely minted revival. But it’s not: it’s a new play. Even more surprising then that it’s written by an author I’d never heard of before.
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