What would Bertolt Brecht have made of Donald Trump? Brecht’s “epic theatre” was sparked by the rise of Nazism in 1930s Germany. Many pundits have likened the political period we’ve now entered – with Trump in the Oval Office, Brexit under way and hard-right populism on the rise across Europe – with that dark […]
What’s the difference between political theatre and theatre about politics? Can theatre be a catalyst for real change? Do right-wing political perspectives get a fair hearing onstage or is theatre the preserve of the left-wing? And how much does modern political theatre owe to Bertolt Brecht?
These were just some of the questions that arose in a lively […]
In case you didn’t know it, 2015 marks the centenary of Arthur Miller’s birth, and what a ripe old time it is for this giant of 20th-century American drama here in Britain.
After last year’s incendiary in-the-round production of The Crucible, starring Richard Armitage at the Old Vic, Ivo van Hove’s award-laden A View From […]
In today’s other blog post, I’ve been raving about the OTHER current offering of A View From the Bridge on at the moment: Stephen Unwin’s production for Touring Consortium, starring the brilliant Jonathan Guy Lewis (a very different Eddie Carbone to West End wonder Mark Strong’s).
As I disclosed, I’m loosely connected to Touring Consortium’s View, as I […]