Shakespeare

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The Tempest Q&A video and photos: What happens when Prospero & Miranda becomes a mother-son relationship?

By |2020-01-26T00:11:19+00:0013 February 2019|Tags: , , , , , , , , , , , , , , , , , , , |

In my first of three post-show Q&As this year with Lazarus Theatre, I was at Greenwich Theatre for this pioneering ensemble company's exciting re-examination of Shakespeare's The Tempest.

WATCH show vlogs: Julius Caesar, Beginning, The Lady With a Dog and Foul Pages

By |2020-02-01T23:49:51+00:0026 February 2018|Tags: , , , , , , , , , , , , , , , , , , , , , , , , , |

I've been raving about Julius Caesar to everyone over the past few weeks, and particularly the experience of seeing it in the pit of the staggeringly versatile Bridge Theatre.

My theatre diary: West End Live, Lady Day, Hamlet and Quentin Dentin

By |2020-03-27T12:47:08+00:003 July 2017|Tags: , , , , , , , , , , , , , , |

My theatre diary w/c Sunday 25 June 2017: Lady Day at Emerson's Bar &

Q&A photos and podcast: Why has James Shirley’s The Cardinal been overlooked since the 17th century?

By |2020-03-27T18:31:24+00:003 May 2017|Tags: , , , , , , , , , , |

James Shirley's 1641 tragic masterpiece The Cardinal, one of the last plays staged in England before Oliver Cromwell's ban on theatre, this month receives its first major production since the 17th century.

Why is Jamie Lloyd and Martin Freeman’s Richard III set in a 1970s open-plan office?

By |2020-03-27T13:19:28+00:0011 July 2014|Tags: , , , , , , , , |

When the production shots for Richard III were first released earlier this week,

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