• My Lazarus post-show Q&A with Lord of the Flies cast & creatives at Greenwich Theatre. © Peter Jones
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    Lord of the Flies Q&A video and photos: Are humans inherently good or evil?

Lord of the Flies Q&A video and photos: Are humans inherently good or evil?

Last night I chaired my second of three post-show Q&As with Lazarus Theatre Company as part of their 2019 residency at Greenwich Theatre – their highly acclaimed return production of Lord of the Flies.
William Golding’s novel was published in 1954 and was highly influenced by the wartime experiences he’d lived through. “Anyone who moved […]

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    Q&A podcast and photos: Is Shakespeare’s Taming of the Shrew inherently misogynistic?

Q&A podcast and photos: Is Shakespeare’s Taming of the Shrew inherently misogynistic?

Is Shakespeare’s The Taming of the Shrew inherently misogynistic? Particularly with its treatment of spirited Kate, the Shrew of the title, who is starved and mentally tormented (gaslighting long before Patrick Hamilton, Ingrid Bergman or Donald Trump: “I say it is the moon [not the sun] that shines so bright”) into the role of […]

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    Q&A photos and podcast: A return to Brechtian politics via The Caucasian Chalk Circle

Q&A photos and podcast: A return to Brechtian politics via The Caucasian Chalk Circle

What would Bertolt Brecht have made of Donald Trump? Brecht’s “epic theatre” was sparked by the rise of Nazism in 1930s Germany. Many pundits have likened the political period we’ve now entered – with Trump in the Oval Office, Brexit under way and hard-right populism on the rise across Europe – with that dark […]

  • Lazarus AD Ricky Dukes, Sara Reimers and Michael Peavoy at The Beggar's Opera Q&A. © Peter Jones
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    Photos and podcast: Nearly 300 years on, why does The Beggar’s Opera still resonate?

Photos and podcast: Nearly 300 years on, why does The Beggar’s Opera still resonate?

There’s something in the water with The Beggar’s Opera at the moment. Lazarus Theatre’s new, modern-dress, 80-minute version at Brockley Jack Studio Theatre is the third major London presentation of the story of womanising highwayman Macheath this year.

Dougal Irvine’s musical The Buskers Opera, set in post-Olympics London with a Boris Johnson-like mayor (premiered on the day […]

  • Audience at the Tristan Bates Theatre
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    Photos and podcast: Why we should edit classics like Hamlet and Marlowe’s Tamburlaine

Photos and podcast: Why we should edit classics like Hamlet and Marlowe’s Tamburlaine

A couple of weeks ago, as part of the ongoing Hamlet hysteria, I was amazed that such an apparent uproar was caused by director Lyndsey Turner’s experimenting with the placement of the play’s most famous soliloquy, “To be or not to be”. When I was contacted by the Independent (article link below) for comment […]