After The Tempest and Lord of the Flies, my last of three post-show Q&As with Lazarus Theatre company for their 2019 season at Greenwich Theatre was last night to their new version of Oscar Wilde’s Salome, adapted and directed (and designed!) by artistic director Ricky Dukes. Ending on a (messy!) high.
“Salomé, Salomé, dance for me.
I pray […]
Last night I chaired my second of three post-show Q&As with Lazarus Theatre Company as part of their 2019 residency at Greenwich Theatre – their highly acclaimed return production of Lord of the Flies.
William Golding’s novel was published in 1954 and was highly influenced by the wartime experiences he’d lived through. “Anyone who moved […]
In my first of three post-show Q&As this year with Lazarus Theatre, I was at Greenwich Theatre for this pioneering ensemble company’s exciting re-examination of Shakespeare’s The Tempest. Sure, we’ve had Prospero played by a woman before – not least Vanessa Redgrave, Helen Mirren and Harriet Walter – but what happens when you take […]
The plays may have been written 420-odd years apart, but I was really struck by how many parallels there were between the discussion I hosted last week, to the European premiere of Jordan Tannahill’s Late Company at Trafalgar Studios, and the one I hosted last night, to Christopher Marlowe’s 16th-century classic Edward II.
Late Company, set […]
What would Bertolt Brecht have made of Donald Trump? Brecht’s “epic theatre” was sparked by the rise of Nazism in 1930s Germany. Many pundits have likened the political period we’ve now entered – with Trump in the Oval Office, Brexit under way and hard-right populism on the rise across Europe – with that dark […]
There’s something in the water with The Beggar’s Opera at the moment. Lazarus Theatre’s new, modern-dress, 80-minute version at Brockley Jack Studio Theatre is the third major London presentation of the story of womanising highwayman Macheath this year.
Dougal Irvine’s musical The Buskers Opera, set in post-Olympics London with a Boris Johnson-like mayor (premiered on the day […]
Are there any stage taboos left? John Ford’s 17th-century romantic thriller ‘TIS PITY SHE’S A WHORE, centring on an incestuous relationship between brother and sister Giovanni and Annabella, is one of the most controversial in the classical canon and was not performed in the UK for more than 200 years until the mid-twentieth century. Does […]
What’s the difference between political theatre and theatre about politics? Can theatre be a catalyst for real change? Do right-wing political perspectives get a fair hearing onstage or is theatre the preserve of the left-wing? And how much does modern political theatre owe to Bertolt Brecht?
These were just some of the questions that arose in a lively […]
A couple of weeks ago, as part of the ongoing Hamlet hysteria, I was amazed that such an apparent uproar was caused by director Lyndsey Turner’s experimenting with the placement of the play’s most famous soliloquy, “To be or not to be”. When I was contacted by the Independent (article link below) for comment […]
Since I got back from my month of remote working in Mallorca, I’ve been lucky enough to pack in lots of trips to the theatre, including this quintuplet of limited season plays that are all worth a look.
As usual, I’ve listed productions in closing date order, and the first on the list finishes this […]
October 8th, 2019
September 25th, 2019
September 22nd, 2019
September 20th, 2019
September 17th, 2019
Gallery
Gallery
Gallery
Gallery
Gallery
Gallery
Gallery
Gallery
Gallery
Gallery
