Salome Q&A video and photos: What would the censor have made of this regendered version of Oscar Wilde’s play?
After The Tempest and Lord of the Flies, my last of three post-show Q&As with Lazarus Theatre company for their 2019 season at Greenwich Theatre was last night to their new version of Oscar Wilde's Salome.
Last night I chaired my second of three post-show Q&As with Lazarus Theatre Company as part of their 2019 residency at Greenwich Theatre - their highly acclaimed return production of Lord of the Flies.
The Tempest Q&A video and photos: What happens when Prospero & Miranda becomes a mother-son relationship?
In my first of three post-show Q&As this year with Lazarus Theatre, I was at Greenwich Theatre for this pioneering ensemble company's exciting re-examination of Shakespeare's The Tempest.
The plays may have been written 420-odd years apart, but I was really struck by how many parallels there were between the discussion I hosted last week, to the European premiere of Jordan Tannahill's Late Company, and the one I hosted last night, to Christopher Marlowe's 16th-century classic Edward II.
What would Bertolt Brecht have made of Donald Trump? Brecht's "epic theatre" was sparked by the rise of Nazism in 1930s Germany. Many pundits have likened the political period we've now entered with that dark decade of the twentieth century.
There's something in the water with The Beggar's Opera at the moment. Lazarus Theatre's new, modern-dress, 80-minute version at Brockley Jack Studio Theatre is the third major London presentation of the story of womanising highwayman Macheath this year.
Are there any stage taboos left? John Ford's 17th-century romantic thriller 'Tis Pity She's a Whore, centring on an incestuous relationship between a brother and sister, is one of the most controversial in the classical canon. Does it still have the power to shock?