A philosophising cat, a famished dog and a family of mites all make appearances - and strong impressions - in Mites, a new play by young British playwright James Mannion, written in the best traditions of the Theatre of the Absurd.
Can you be a racist if you don't think you are? Is there a difference between racism and 'racist attitudes'? How do you find sympathy for white supremacists? By finding sympathy are we making excuses?
I've spent quite a lot of my Easter weekend thinking about Donald Trump. As a thankful respite from trying to read the 448 pages of the Mueller Report, it was for positive reasons on Good Friday night at Southwark Playhouse.
Why is intimacy so hard? In the bedroom, when can drugs be a help and when a hindrance? How much should we reveal to a new partner? What new demons do today's young gay men carry with them into relationships?
It was a great big family affair for my post-show Q&A at Call Me Vicky at the Pleasance Theatre this weekend. The new one-act comedy-drama marks the playwriting debut for sisters Stacey and Nicola Bland, who also perform in the cast, and their mum, dad and nan were in proud attendance.
My Dad’s Gap Year Q&A video and photos: Launching Tom Wright and Rikki Beadle-Blair’s unstoppable collaboration
The Park Theatre was absolutely buzzing last night with two sell-out shows, including in Park 90, Tom Wright's debut play My Dad's Gap Year, which has nearly sold out the rest of its run too. What's the secret alchemy between Wright and his director Rikki Beadle-Blair?
Sales of George Orwell's 1984 surged by a staggering 9,500% after the election of Donald Trump to become Amazon's biggest seller. Orwell himself died, at the age of 46, in January 1950, just seven months after 1984 was published. What might he have written if he’d lived longer?
A string of hits, a cast of two, ‘Forever Plaid’ meets ‘I Do, I Do’. James Hindman's 2000 Off-Broadway musical two-hander Pete ‘n’ Keely gets its European premiere at Tristan Bates Theatre. The production, directed by Matthew Gould, stars David Bardsley and Katie Kerr as the titular stars in a primetime TV bust-up.