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Old Red Lion post-show video and photos: What do coronavirus closures mean to fringe theatre?

By |2020-05-07T17:44:34+01:0018 March 2020|

Tuesday 17 March 2020. One of the last theatre performances -for the foreseeable future - in the theatre capital of the world took place at London's Old Red Lion Theatre. A historic, sobering moment, one of many during the global coronavirus crisis.

One Jewish Boy post-show video and photos: How to challenge stereotypes and reduce anti-semitism

By |2020-03-15T20:12:13+00:0015 March 2020|

The UK government's current coronavirus advice is that, with theatres, the show should still go on. I was certainly glad One Jewish Boy, British dramatist Stephen Laughton's brilliant play, written as a response to rising anti-semitism, did last night.

Sinners post-show video and photos: Why did Brian Cox want to direct a play about stoning women?

By |2020-03-04T11:31:58+00:001 March 2020|

I saw Brian Cox and his wife Nicole Ansari acting alongside one another in the premiere of Tom Stoppard's 2006 play Rock 'n' Roll. It was wonderful to talk to them about working together onstage again in a very different capacity of a very different play.

For the Sake of Argument post-show video and photos: How did Christopher Hitchens inspire this provocative new play?

By |2020-02-07T13:00:01+00:0031 January 2020|

Have you ever been powerfully persuaded by something you've read in a newspaper? Should journalists be held responsibility for the consequences of the articles they write?

Q&A photos and video: Talking chemsex, HIV positivity & intimacy at Undetectable

By |2020-01-25T23:41:16+00:0021 March 2019|

Why is intimacy so hard? In the bedroom, when can drugs be a help and when a hindrance? How much should we reveal to a new partner? What new demons do today's young gay men carry with them into relationships?

My Dad’s Gap Year Q&A video and photos: Launching Tom Wright and Rikki Beadle-Blair’s unstoppable collaboration

By |2020-01-26T00:25:33+00:008 February 2019|

The Park Theatre was absolutely buzzing last night with two sell-out shows, including in Park 90, Tom Wright's debut play My Dad's Gap Year, which has nearly sold out the rest of its run too. What's the secret alchemy between Wright and his director Rikki Beadle-Blair?