Terri Paddock

"Queen of theatre post-show talks", social media & content marketer

  • Writer-director Glenn Chandler with cast members Charlie Mackay & Simon Stache at The Good Scout post-show Q&A at London's Above the Stag Theatre on 29 October 2019. © Peter Jones
    Permalink Writer-director Glenn Chandler with cast members Charlie Mackay & Simon Stache at The Good Scout post-show Q&A at London's Above the Stag Theatre on 29 October 2019. © Peter JonesGallery

    The Good Scout post-show video and photos: How worried should we be about parallels between the 1930s and today?

The Good Scout post-show video and photos: How worried should we be about parallels between the 1930s and today?

While MPs were voting for an election that is likely to accelerate the UK's lurch to the right, I was back at Above The Stag Theatre last night talking about the increasingly worrying parallels - and historic dominoes - between the 1930s and today. Is it any wonder that The Good Scout left me in tears, even on second viewing?
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    Q&A photos and video: Talking chemsex, HIV positivity & intimacy at Undetectable

Q&A photos and video: Talking chemsex, HIV positivity & intimacy at Undetectable

Why is intimacy so hard? In the bedroom, when can drugs be a help and when a hindrance? How much should we reveal to a new partner? What new demons do today’s young gay men carry with them into relationships?
After the fun we had last month with My Dad’s Gap Year at the Park Theatre, […]

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    My Dad’s Gap Year Q&A video and photos: Launching Tom Wright and Rikki Beadle-Blair’s unstoppable collaboration

My Dad’s Gap Year Q&A video and photos: Launching Tom Wright and Rikki Beadle-Blair’s unstoppable collaboration

The Park Theatre was absolutely buzzing last night with two sell-out shows, including in Park 90, Tom Wright’s debut play My Dad’s Gap Year, which has nearly sold out the rest of its run too. What’s the secret alchemy between Wright and his director Rikki Beadle-Blair?
I suspect that a key element is their mutual […]

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    Q&A video and photos: Why has Italy largely forgotten what happened at San Domino?

Q&A video and photos: Why has Italy largely forgotten what happened at San Domino?

Before the performance at Tristan Bates Theatre, the 16-strong company of San Domino entertain theatregoers in the bar with some jaunty patriotic songs, with which they lead them into the auditorium. It’s somewhat akin to the chilling scene in Kander and Ebb’s Cabaret when the Hitler Youth sings “Tomorrow Belongs to Me”.

Inside the auditorium, we […]