In Lazarus Theatre's new reimagining of Jacobean drama The Changeling, adapter/director Ricky Dukes has taken his usual scalpel to the original text. In this case, losing the entire subplot set in an asylum.
How central are Gertrude, Claudius and Polonius to the story of Hamlet? If you remove those adult characters and the scenes that revolve around them, what are you left with?
What might entice you to sell your soul to the devil? Fame? Riches? Immortality? World peace? A rent-free London flat? Four pints of Guinness? At my post-show Q&A for a production of Doctor Faustus, that was an irresistible question to pose to the company.
One ordinary evening turns into one extraordinary adventure… Peter Pan, the boy who wouldn’t grow up, flies into Greenwich Theatre in this all-new ensemble version of JM Barrie’s much-loved classic, adapted and directed by Ricky Dukes.
Are you superstitious? The most famous theatrical superstition is, of course, the one about "The Scottish play". Do the cast of Lazarus Theatre's new ensemble production believe in curses?