Hamlet post show-video and photos: What happens when you get rid of the adults?
Hamlet post show-video and photos: What happens when you get rid of the adults?

Hamlet post show-video and photos: What happens when you get rid of the adults?

By Terri Paddock|2023-02-09T14:59:45+00:0027 January 2023|Tags: Hamlet, Lazarus Theatre, Lexine Lee, Michael Hawkey, Ricky Dukes, Southwark Playhouse|

How central are Gertrude, Claudius and Polonius to the story of Hamlet? If you remove those adult characters and the scenes that revolve around them, what are you left with?

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Hamlet
Hamlet

Hamlet

By Terri Paddock|2022-09-23T15:46:30+01:0025 January 2023|Tags: Hamlet, Lazarus Theatre, Ricky Dukes, Shakespeare, Southwark Playhouse|

Hot on the heels of Doctor Faustus, I'm pleased to return to Southwark Playhouse in January to continue my long-time association with Lazarus Theatre company, discussing their brand-new production of Shakespeare's Hamlet.

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#HiddleHamlet is a ★★★★ success (for the few lucky critics who got tickets)
#HiddleHamlet is a ★★★★ success (for the few lucky critics who got tickets)

#HiddleHamlet is a ★★★★ success (for the few lucky critics who got tickets)

By Terri Paddock|2020-03-27T12:45:49+00:003 September 2017|Tags: #HiddleHamlet, #RADAHamlet, Hamlet, Kenneth Branagh, RADA, Shakespeare, Tom Hiddleston|

Tom Hiddleston stars as Hamlet at RADA until 23 September 2017 Did you

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My theatre diary: West End Live, Lady Day, Hamlet and Quentin Dentin
My theatre diary: West End Live, Lady Day, Hamlet and Quentin Dentin

My theatre diary: West End Live, Lady Day, Hamlet and Quentin Dentin

By Terri Paddock|2020-03-27T12:47:08+00:003 July 2017|Tags: Almeida Theatre, Andrew Scott, Audra McDonald, Hamlet, Hannah Elsy, Jon Brittain, Lady Day at Emerson's Bar & Grill, Robert Icke, Rosencrantz & Guildenstern Are Dead, Rotterdam, Shakespeare, StageFaves, The Quentin Dentin Show, Tom Stoppard, West End Live|

My theatre diary w/c Sunday 25 June 2017: Lady Day at Emerson's Bar &

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Take two: Tom Stoppard’s Rosencrantz & Travesties, plus future fantasy casting
Take two: Tom Stoppard’s Rosencrantz & Travesties, plus future fantasy casting

Take two: Tom Stoppard’s Rosencrantz & Travesties, plus future fantasy casting

By Terri Paddock|2020-03-27T12:48:51+00:0028 March 2017|Tags: Akiya Henry, Almeida Theatre, Andrew Scott, Daniel Radcliffe, David Leveaux, Hamlet, Joshua McGuire, Menier Chocolate Factory, Michelle Terry, Old Vic Theatre, Patrick Marber, Robert Icke, Rosencrantz & Guildenstern Are Dead, Tom Hollander, Tom Stoppard, Travesties|

Doubling up with Stoppard: Joshua McGuire & Daniel Radcliffe in R&G, Freddie Fox &

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The list of lists: The best theatre coming up in 2017
The list of lists: The best theatre coming up in 2017

The list of lists: The best theatre coming up in 2017

By Terri Paddock|2020-03-27T12:50:22+00:009 January 2017|Tags: 42nd Street, An American in Paris, Andrew Scott, Antony & Cleopatra, Cherry Jones, Conleth Hill, Damian Lewis, Daniel Radcliffe, David Tennant, Don Juan in Soho, Edward Albee, Emma Rice, Freddie Fox, Hamilton, Hamlet, Imelda Staunton, Ivo van Hove, Jez Butterworth, John Boyega, John Tiffany, Joshua McGuire, Jude Law, Juliuas Caesar, Lin-Manuel Miranda, Obsession, Patrick Marber, Roman Tragedies, Rosencrantz & Guildenstern Are Dead, Shakespeare's Globe, The Ferryman, The Glass Menagerie, The Goat or Who is Sylvia?, Titus Andronicus, Tom Hollander, Tom Stoppard, Travesties, Twelfth Night, Who's Afraid of Virginia Woolf?, Woyzeck|

What makes the experts' lists of the shows most to look forward to in

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Photos and podcast: Why we should edit classics like Hamlet and Marlowe’s Tamburlaine

By Terri Paddock|2020-03-28T23:35:52+00:003 September 2015|Tags: Adam Cunis, Andy Kesson, Benedict Cumberbatch, Christopher Marlowe, Gavin Harrington-Odedra, Hamlet, Ken Pickering, Lazarus Theatre, Marlowe Society, Prince Plockey, Ricky Dukes, Sara Reimers, Tamburlaine the Great, Terri Paddock events, Tristan Bates Theatre|

A couple of weeks ago, as part of the ongoing Hamlet hysteria, I was amazed that such an apparent uproar was caused by director Lyndsey Turner's experimenting with the placement of the play's most famous soliloquy, "To be or not to be".

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