A note in the programme for One Who Wants to Cross cites a sobering statistic: according to the 2020 IOM World Migration Report, the number of international migrants, as of June 2019, had reached almost 272 million.
The spark of an idea for award-winning new two-hander Bacon, now in its extended world premiere season at London's Finborough Theatre, came when playwright Sophie Swithinbank, then working as a nanny, witnessed a bullying incident between two boys in a park.
The pub beneath the Finborough Theatre, where Proud Haddock's revival of Tony Harrison's Square Rounds, is currently closed for refurbishment. So what does Proud Haddock artistic director Jimmy Walters do on the night of our post-show Q&A? Bring in drinks from the off-licence.
Q&A video and podcast: Commemorating the 80th anniversary of the Nanking massacre at Into the Numbers
What an incredibly brave, brilliant and inspiring woman Iris Chang was. What an unimaginably horrific atrocity the Nanking Massacre was. How ashamed I am to have known next to nothing about either before Into the Numbers.
Can we love someone whose belief system we fundamentally disagree with? If we love someone, can we denounce what we believe just to please them? Family and faith compete in thoughtful three-hander The Busy World Is Hushed.
Having heard so many of My Theatre Mates raving about Late Company following its European premiere earlier this year at the Finborough, I was really looking forward to seeing it at Trafalgar Studios. And yet, I still came under-prepared: I didn't bring enough tissues.
I had an image in my mind of Andy Capp – the flatcap
Lauren Ward mothers Rob Compton in Bat Boy at Southwark Playhouse I caught