Federico Garcia Lorca spent three months in Cuba in 1930 – six years before he was assassinated (aged just 38) by Franco nationalists in his native Spain. He fell in love with the Caribbean island nation and it with him. And it’s this association that inspired Jorge de Juan in his new adaptation of Lorca […]
How much do you know about the Spanish Civil War (1936-1939)? Who fought on the side of the Republicans and who for the Nationalists? What happened to those who got caught in the middle, such as Paulino and Carmelo in Jose Sanchis Sinisterra’s Ay, Carmela!?
In the 1986 stage play, famously made into a 1990 Spanish […]
What a reminder that live theatre is LIVE, that things can go wrong and that that’s all part of the excitement.
At the Omnibus Theatre last night, Blood Wedding’s 7.30pm start time was delayed as one of the actors was trapped on a broken down overground train. I was already there to chair a post-show Q&A […]
Understandably, as theatremakers and audiences try to make sense of our turbulent times, political plays are de rigueur – and it’s not just ones written by James Graham either. And even productions that you wouldn’t categorise as such, inevitably take on political overtones when filtered through our consumption of daily headlines. I’m not sure if every […]
I’ve had a rich few weeks for playgoing. In addition to productions I’ve already written about elsewhere – including, of those still running, Arrows and Traps’ Frankenstein at Brockley Jack and Stephen Clark’s Le Grand Mort at Trafalgar Studios 2 – here’s a quick round-up of some other smart plays I’ve seen recently and […]
Living in SE1 in London, I’m absolutely spoilt for theatres. The South Bank powerhouses of the National Theatre, Old Vic and Young Vic, Shakespeare’s Globe, and, as of later this month, the new Bridge Theatre under the auspices of former NT uber-duo Nicks Hytner and Starr, are all within ten minutes’ walking distance. But […]