• My post-show Q&A with Arrows & Traps reinvention of Jekyll & Hyde at London's Brockley Jack Theatre on 6 Sep 2019. © Peter Jones
    Permalink My post-show Q&A with Arrows & Traps reinvention of Jekyll & Hyde at London's Brockley Jack Theatre on 6 Sep 2019. © Peter JonesGallery

    Q&A video and photos: What would Pete Buttigieg think of his Jekyll & Hyde incarnation?

Q&A video and photos: What would Pete Buttigieg think of his Jekyll & Hyde incarnation?

Arrows & Traps’ 18th production in its five-year history is also its tenth at London’s Brockley Jack Theatre, where it is now an associate company, and its third in a Gothic trilogy. And it’s a corker.
Following versions of Mary Shelley’s Frankenstein and Bram Stoker’s Dracula, Arrows & Traps founder, writer and director Ross McGregor, […]

  • The company of Queen of the Mist at the post-show Q&A chaired by Terri Paddock at Charing Cross Theatre on 20 August 2019. © Peter Jones
    Permalink The company of Queen of the Mist at the post-show Q&A chaired by Terri Paddock at Charing Cross Theatre on 20 August 2019. © Peter JonesGallery

    Queen of the Mist Q&A video and photos: Why should we have more Michael John LaChiusa in the UK?

Queen of the Mist Q&A video and photos: Why should we have more Michael John LaChiusa in the UK?

Michael John LaChiusa was on his way back to the States by the time I chaired my post-show Q&A at the West End (and UK) premiere of his musical Queen Of The Mist – but I wonder if his ears were burning badly en route?
A central part of my discussion – with director Dom O’Hanlon, musical […]

  • Christopher Tester in Frankenstein and Natasha Killam in The Test
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    Prometheus updated: From Frankenstein to artificial intelligence in The Test

Prometheus updated: From Frankenstein to artificial intelligence in The Test

It has been so fascinating to see Arrows and Traps’ startlingly fresh adaptation of Mary Shelley’s Frankenstein, just opened at Brockley Jack Theatre, and Ian Dixon Potter’s one-act drama The Test, finishing this weekend at the White Bear Theatre, in the same week on the London fringe.

Both stories centre on Promethean ambitions: scientists who, like […]

  • 170727TamingOfTheShrew1
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    Q&A podcast and photos: Is Shakespeare’s Taming of the Shrew inherently misogynistic?

Q&A podcast and photos: Is Shakespeare’s Taming of the Shrew inherently misogynistic?

Is Shakespeare’s The Taming of the Shrew inherently misogynistic? Particularly with its treatment of spirited Kate, the Shrew of the title, who is starved and mentally tormented (gaslighting long before Patrick Hamilton, Ingrid Bergman or Donald Trump: “I say it is the moon [not the sun] that shines so bright”) into the role of […]