Alexandra Gilbreath

My theatre diary: To Kill a Mockingbird, Henry V, As Is, Orson’s Shadow & The Invisible
My theatre diary: To Kill a Mockingbird, Henry V, As Is, Orson’s Shadow & The Invisible

My theatre diary: To Kill a Mockingbird, Henry V, As Is, Orson’s Shadow & The Invisible

By Terri Paddock|2020-03-27T13:05:02+00:0015 July 2015|Tags: Adrian Lukis, AIDS plays, Alexandra Gilbreath, Andrew Keates, Angels in America, As Is, Atticus Finch, austerity, Bend It Like Beckham, Bush Theatre, Colette O'Rourke, cuts, David Poynor, Diversity diary, Edward Bennett, Gina Bellman, Go Set a Watchman, Harper Lee, Henry V, Jagged Fence, John Hodgkinson, Laurence Olivier, Lazarus Theatre, Legal Action Group, legal aid, Louise Ford, My Night With Reg, Open Air Theatre, Orson Welles, Orson's Shadow, Rebecca Lenkiewicz, Ricky Dukes, Robert Sean Leonard, Sirine Saba, Steven Webb, The House of Mirrors and Hearts, The Importance of Being Earnest, The Invisible, The Law Society, The Mentalists, Timothy Sheader, To Kill a Mockingbird, Tom Hescott, Vivien Leigh|

Since I got back from my month of remote working in Mallorca, I’ve been lucky

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