What is it about a great whodunnit thriller? What makes us keep turning the page? How does that inquisitive excitement translate onstage?
I had a hunch that this would be an especially amusing post-show Q&A and the company and audience of American hillbilly comedy Out There on Fried Meat Ridge Rd., now transferred to the West End's Trafalgar Studios 2 for a limited season, did not disappoint.
I’m still reeling after the thrillingly heated and thought-provoking panel discussion I hosted last night at Trafalgar Studios 2. This was the second in a series of post-show events I’ve programmed around issues and themes raised in Jagged Fence’s explosive new production of Strindberg’s The Father.
How far have we come with feminism since August Strindberg was writing in the 1880s? “About halfway,” said Polly Toynbee on Monday night at Trafalgar Studios, in the first of a series of post-show panel discussions I’ve programmed and am hosting around Jagged Fence’s explosive new production of Strindberg’s The Father.
that a well-run Q&A can not only give theatregoers greater insights into the creative process, it can deepen connections with the play and its themes for both artists and audiences.