Did seeing fascist Tommy Robinson denouncing Muslims and immigrants on a big screen in Whitehall terrify you? What are the long-term consequences of today's political rhetoric in Trump's America and Brexit Britain?
Last night I chaired my second of three post-show Q&As with Lazarus Theatre Company as part of their 2019 residency at Greenwich Theatre - their highly acclaimed return production of Lord of the Flies.
Why is intimacy so hard? In the bedroom, when can drugs be a help and when a hindrance? How much should we reveal to a new partner? What new demons do today's young gay men carry with them into relationships?
It was a great big family affair for my post-show Q&A at Call Me Vicky at the Pleasance Theatre this weekend. The new one-act comedy-drama marks the playwriting debut for sisters Stacey and Nicola Bland, who also perform in the cast, and their mum, dad and nan were in proud attendance.
A lot has been said about All in a Row online (especially on Twitter around #puppetgate) - about the play itself, its depiction of autism and its use of a puppet in portraying the non-verbal autistic 11-year-old character. Last night we were able to take the conversation offline.
The bookworm in me adores everything about libraries and they don't get much more atmospheric, or historic, than The London Library, the world's oldest independent lending library - and now a highly unconventional theatrical venue for Creation Theatre Company's latest offering.
The Park Theatre was absolutely buzzing last night with two sell-out shows, including in Park 90, Tom Wright's debut play My Dad's Gap Year, which has nearly sold out the rest of its run too. What's the secret alchemy between Wright and his director Rikki Beadle-Blair?