Are you worried about the state of politics and society in the UK today? That's the question I asked at the start of last night's post-show Q&A at London's Lion & Unicorn Theatre. The hands of all my panellists and nearly everyone sitting across from them in the audience shot up.
Arrows & Traps' 18th production in its five-year history is also its tenth at London's Brockley Jack Theatre, where it is now an associate company, and its third in a Gothic trilogy. And it's a corker.
We were all madly checking our phones for news in the bars afterwards, but while much of last night's Westminster drama was going on, at Wilton's Music Hall, we were getting to glorious grip with the (affectionate) comedy potential of the monarchy with The Crown Dual.
I've seen Rufus Norris' multi-award-winning revival of Kander & Ebb's Broadway musical classic Cabaret twice before in the West End, when it first opened in 2006 and when it returned in 2010. It now kicks off a brand-new tour and it's more powerful than ever.
Michael John LaChiusa was on his way back to the States by the time I chaired my post-show Q&A at the West End (and UK) premiere of his musical Queen Of The Mist - but I wonder if his ears were burning badly en route?
Can we ever really know what happened between two people behind closed doors? That's the question at the heart of Anna Zeigler's provocative new two-hander Actually, and one the company, audience and I grappled with after Friday's performance.
A quick show of hands at last night's Q&A at the Park Theatre bore out my suspicion: most people, even left-leaning people, have not heard of Howard Zinn. Like those in the audience, before this show, I counted myself amongst them.