I was lucky enough to see the original Out of Joint production of The Permanent Way at the National Theatre in 2003. I remember being horrified by David Hare's verbatim play about railway privatisation, based on first-hand accounts.
What fun to return to the Criterion Theatre to see a brand-new cast put their stamp on Mischief Theatre's The Comedy About A Bank Robbery, as the first in a series of monthly post-show Q&As with the comic geniuses.
At this year's annual HighTide Festival in Aldeburgh, Suffolk, I was privileged to chair an hour-long "In Conversation With" platform discussion with legendary director Deborah Warner, reflecting on nearly 40 years in the business.
Are you worried about the state of politics and society in the UK today? That's the question I asked at the start of last night's post-show Q&A at London's Lion & Unicorn Theatre. The hands of all my panellists and nearly everyone sitting across from them in the audience shot up.
Arrows & Traps' 18th production in its five-year history is also its tenth at London's Brockley Jack Theatre, where it is now an associate company, and its third in a Gothic trilogy. And it's a corker.
We were all madly checking our phones for news in the bars afterwards, but while much of last night's Westminster drama was going on, at Wilton's Music Hall, we were getting to glorious grip with the (affectionate) comedy potential of the monarchy with The Crown Dual.
I've seen Rufus Norris' multi-award-winning revival of Kander & Ebb's Broadway musical classic Cabaret twice before in the West End, when it first opened in 2006 and when it returned in 2010. It now kicks off a brand-new tour and it's more powerful than ever.
Michael John LaChiusa was on his way back to the States by the time I chaired my post-show Q&A at the West End (and UK) premiere of his musical Queen Of The Mist - but I wonder if his ears were burning badly en route?