I've seen Rufus Norris' multi-award-winning revival of Kander & Ebb's Broadway musical classic Cabaret twice before in the West End, when it first opened in 2006 and when it returned in 2010. It now kicks off a brand-new tour and it's more powerful than ever.
Michael John LaChiusa was on his way back to the States by the time I chaired my post-show Q&A at the West End (and UK) premiere of his musical Queen Of The Mist - but I wonder if his ears were burning badly en route?
Can we ever really know what happened between two people behind closed doors? That's the question at the heart of Anna Zeigler's provocative new two-hander Actually, and one the company, audience and I grappled with after Friday's performance.
A quick show of hands at last night's Q&A at the Park Theatre bore out my suspicion: most people, even left-leaning people, have not heard of Howard Zinn. Like those in the audience, before this show, I counted myself amongst them.
One of the best means of ensuring a long career is an ability to create your own work. Patrick Bayele has honed this skill early on... and, after seeing what he's accomplished with his triple-threat professional debut, I feel confident we'll be hearing more about him for many years to come.
After chairing events for London transfers of Creation Theatre's The Pit and The Pendulum and Dracula, I was chuffed to be invited to see them on their 'home turf' in Oxford and host a post-show Q&A for their new gaming take on Shakespeare's The Tempest.
How many different ways can one play be interpreted? The company of Equus were very keen not to impose their opinions but the audience at last night's post-show Q&A at Trafalgar Studios had plenty of their own. Which were right? All of them!