A string of hits, a cast of two, ‘Forever Plaid’ meets ‘I Do, I Do’. James Hindman's 2000 Off-Broadway musical two-hander Pete ‘n’ Keely gets its European premiere at Tristan Bates Theatre. The production, directed by Matthew Gould, stars David Bardsley and Katie Kerr as the titular stars in a primetime TV bust-up.
James Shirley's 1641 tragic masterpiece The Cardinal, one of the last plays staged in England before Oliver Cromwell's ban on theatre, this month receives its first major production since the 17th century.
What a great way to get the Bank Holiday weekend off with a swing. Last night, I hosted a post-show Q&A at Miss Nightingale. This original British musical is now in its sixth iteration - musicals, as Sondheim says, aren't written but re-written - since starting life as a short piece in Ipswich and at the King's Head Theatre in 2011.
What would Bertolt Brecht have made of Donald Trump? Brecht's "epic theatre" was sparked by the rise of Nazism in 1930s Germany. Many pundits have likened the political period we've now entered with that dark decade of the twentieth century.
The American gothic rock musical Lizzie, which is now receiving its UK premiere in a limited season at London's Greenwich Theatre, opens and closes with a nursery rhyme I memorised in my own American youth about the real-life 19th-century crime.
There's something in the water with The Beggar's Opera at the moment. Lazarus Theatre's new, modern-dress, 80-minute version at Brockley Jack Studio Theatre is the third major London presentation of the story of womanising highwayman Macheath this year.
What an astonishing way to make your playwriting debut. Theresa Ikoko's first full-length play Girls was a Verity Bargate finalist and winner of both the Alfred Fagon Award and the George Devine Award.
Two rarely seen short plays by Steven Berkoff are professionally performed together for the first time in this much-anticipated West End premiere: Lunch and, written 20 years later, its sequel The Bow of Ulysses.