• Matthew Broderick, Elizabeth McGovern & fellow cast members (back l-r) Jim Norton, Sinead Matthews, Rosalind Eleazar & Sid Sagar joined me for The Starry Messenger post-show Q&A. © Peter Jones
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    Q&A photos: Exploring the cosmos with Matthew Broderick, Elizabeth McGovern and The Starry Messenger cast

Q&A photos: Exploring the cosmos with Matthew Broderick, Elizabeth McGovern and The Starry Messenger cast

How fitting to hold a post-show Q&A for The Starry Messenger during Loneliness Awareness Week. Kenneth Lonergan’s beautifully delicate play considers the torment of, as New York Times’ critic Ben Brantley puts it:
“fallible, contradictory, lonely souls who can never quite articulate what’s missing in their lives but always feel the void”
In the play, set in the […]

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    Vincent River Q&A video and photos: Tackling homophobia through talking and education

Vincent River Q&A video and photos: Tackling homophobia through talking and education

Philip Ridley’s Vincent River was premiered at Hampstead Theatre in 2000 and has been revived fairly regularly in the intervening years, including this production which was first seen at the Park Theatre last year and has now transferred to the West End’s Trafalgar Studios, where an earlier production ran in 2007. How worried should we […]

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    Q&A video and photos: How The Wardrobe Ensemble devised Education Education Education… to a 1990s soundtrack

Q&A video and photos: How The Wardrobe Ensemble devised Education Education Education… to a 1990s soundtrack

Remember D:Ream’s “Things Can Only Get Better”? I was bopping along in my seat to that New Labour anthem and so many other chart-topping hits from my youth before curtain up at Education Education Education last night at Trafalgar Studios. 
The music from the 1990s forms a backbone to this love-letter to the decade and the […]

  • The Comedy About a Bank Robbery post-show Q&A at the West End's Criterion Theatre on 30 May 2019. © Peter Jones
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    The Comedy About a Bank Robbery Q&A video and photos: Stealing more time with the mischief-makers

The Comedy About a Bank Robbery Q&A video and photos: Stealing more time with the mischief-makers

I closed out #MischiefMay, celebrating the world-dominating achievements of the comedy masters at Mischief Theatre, with my second of two post-show Q&As to the company’s two current West End hits.
The Comedy About a Bank Robbery was the third West End offering from Mischief, following The Play That Goes Wrong (still running at the Duchess Theatre) […]

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    #MischiefMay: Celebrating 1,999 performances (sort of) with The Play That Goes Wrong‘s West End cast

#MischiefMay: Celebrating 1,999 performances (sort of) with The Play That Goes Wrong‘s West End cast

#MischiefMay is all about celebrating the world-dominating success of the comedy genius of Mischief Theatre onstage (running on all continents except Antarctica) and, increasingly, onscreen. I’m delighted to play a small part of this month’s mischievous activities with back-to-back post-show Q&As to Mischief’s two current West End hits, starting last night with The Play […]

  • My post-show Q&A with Lazarus Theatre's company for Salome at Greenwich Theatre. © Peter Jones
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    Salome Q&A video and photos: What would the censor have made of this regendered version of Oscar Wilde’s play?

Salome Q&A video and photos: What would the censor have made of this regendered version of Oscar Wilde’s play?

After The Tempest and Lord of the Flies, my last of three post-show Q&As with Lazarus Theatre company for their 2019 season at Greenwich Theatre was last night to their new version of Oscar Wilde’s Salome, adapted and directed (and designed!) by artistic director Ricky Dukes. Ending on a (messy!) high.
“Salomé, Salomé, dance for me.
I pray […]

  • My Amour post-show Q&A with producer, director & cast at London's Charing Cross Theatre. © Peter Jones
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    Q&A photos and video: What would the late Michel Legrand think of this chamber version of his musical Amour?

Q&A photos and video: What would the late Michel Legrand think of this chamber version of his musical Amour?

I’m in love with love… or more precisely with Amour, as in the lushly romantic Michel Legrand musical fantasy now receiving its UK professional premiere at Charing Cross Theatre.
Amour is set in 1950 in post-war Paris where shy civil servant Dusoleil (Gary Tushaw) lives alone and works diligently in a dreary office. To pass […]

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    Q&A video and photos: Why is the Coronet the perfect home for The Glass Piano court tale?

Q&A video and photos: Why is the Coronet the perfect home for The Glass Piano court tale?

Visits to the Coronet Theatre, until last week known as The Print Room at the Coronet, make me miss the days when I lived in Notting Hill (or rather, near enough, Ladbroke Grove). Last week, I went to attend the venue’s relaunch and season announcement under its new-old name; last night, I returned to […]

  • Hannah & Rachel Tookey at the Bromley Bedlam Bethlehem post-show Q&A at the Old Red Lion Theatre. © Peter Jones
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    Bromley Bedlam Bethlehem Q&A video and photos: How to turn traumatic family history into life-affirming drama

Bromley Bedlam Bethlehem Q&A video and photos: How to turn traumatic family history into life-affirming drama

Ahead of Mental Health Awareness Week next week, Rachel Tookey’s award-winning new play Bromley Bedlam Bethlehem receives its full-length premiere this week at the Old Red Lion Theatre. I got to speak to Rachel and her producer-sister Hannah about how their own family inspired this story exploring how trauma and mental illness can be […]

  • Raymi Ortuste, Denise Despeyroux & Maite Jauregui at The Reality post-show Q&A at Cervantes Theatre. © Peter Jones
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    The Reality Q&A video and photos: What’s the state of new Spanish playwriting?

The Reality Q&A video and photos: What’s the state of new Spanish playwriting?

The Cervantes Theatre’s headlines its third New Spanish Playwriting season with the full UK and English-language premiere of Denise Despeyroux’s one-woman show The Reality, which had a dramatised reading at the theatre last year.
Can you love the living like you like the dead?
Is darkness hindered by light?
In this haunting new play, written by Denise Despeyroux and […]

  • Bebe Barry & the Exploding Whale company at the Heroes post-show Q&A at Drayton Arms Theatre. © Anthony Kelly
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    Heroes Q&A video and photos: Raise your hand if you think David Bowie fandom transcends generations

Heroes Q&A video and photos: Raise your hand if you think David Bowie fandom transcends generations

Are you a David Bowie fan? What first turned you on? Was it seeing his Top of the Pops debut as Ziggy Stardust? Was it your parents taking you to your first Bowie concert when you were still a baby? Was it memorising the album liner notes in your bedroom?
Bebe Barry inherited her love of […]

  • My RSC Taming of the Shrew panel comprised Justin Audibert, Joan Iyiola & Dr Emma Whipday
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    Panel on the RSC’s gender-flipped Taming of the Shrew: Kate & Petruchio in the age of #MeToo

Panel on the RSC’s gender-flipped Taming of the Shrew: Kate & Petruchio in the age of #MeToo

I had a fabulous time last week in Stratford-upon-Avon seeing Justin Audibert’s new re-gendered production of Shakespeare’s early “battle of the sexes” comedy The Taming of the Shrew (1591), set in a parallel Elizabethan universe where women are in charge.
Afterwards, I had the privilege of chairing a discussion about the play as part of the “Society […]

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    Q&A video and photos: How is Donald Trump responsible for Other People’s Money?

Q&A video and photos: How is Donald Trump responsible for Other People’s Money?

I’ve spent quite a lot of my Easter weekend thinking about Donald Trump. As a thankful respite from trying to read the 448 pages of the Mueller Report, it was for positive reasons on Good Friday night at Southwark Playhouse.
‘They can pass all the laws they want. All they do is change the rules – […]

  • For the Intra Muros Q&A at London's Park Theatre, I was joined by Summer Strallen (with Pebbles), Ché Walker, Emma Pallant, Declan Perring & Rio Kai. © Peter Jones
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    Intra Muros Q&A video and photos: What is the point of theatre? How do actors marry up their dual lives?

Intra Muros Q&A video and photos: What is the point of theatre? How do actors marry up their dual lives?

What does theatre mean to you? How do actors marry up the dual emotional demands of their chosen profession? How many ‘characters’ or versions of ourselves to the rest of us play in our own lives?
Those are some of the questions which are raised in Alexis Michalik’s fascinating play Intra Muros and which we […]

  • Director Pamela Schermann & Marc Antolin at the Cry Havoc post-show Q&A at London's Park Theatre. © Peter Jones
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    Q&A video and photos: Overturning the ‘white saviour’ narrative with the Cry Havoc company

Q&A video and photos: Overturning the ‘white saviour’ narrative with the Cry Havoc company

How lucky am I? Last night I got to spend a second night in a row with lovely Olivier Awards nominee Marc Antolin.
After sitting behind him at the ceremony at the Royal Albert Hall on Sunday night, when he was nominated for Best Actor in a Musical for Little Shop of Horrors at the Open Air […]

  • I revisited Tony's Last Tape for a post-show Q&A at Omnibus Theatre four year after the play changed my life
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    Tony’s Last Tape Q&A video and photos: What would Tony Benn have thought of Brexit, Corbyn & this play about him?

Tony’s Last Tape Q&A video and photos: What would Tony Benn have thought of Brexit, Corbyn & this play about him?

This past Wednesday (3 April 2019) would have been Tony Benn’s 94th birthday. Great celebratory timing for the return of Tony’s Last Tape, the one-man play celebrating the Labour firebrand, who died in 2014. And last night, I was delighted to return to the play myself and to chair a warm and celebratory post-show discussion.
Many in the […]

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    Half Me, Half You Q&A video and photos: It’s not easy to talk about racism & hate crime, but it’s necessary

Half Me, Half You Q&A video and photos: It’s not easy to talk about racism & hate crime, but it’s necessary

Did seeing fascist Tommy Robinson denouncing Muslims and immigrants on a big screen in Whitehall terrify you? What are the long-term consequences of today’s political rhetoric in Trump’s America and Brexit Britain? How much does it fuel hate crimes against minority groups? How worried should we be? What can we do about it?
 

Debut playwright […]

  • My Lazarus post-show Q&A with Lord of the Flies cast & creatives at Greenwich Theatre. © Peter Jones
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    Lord of the Flies Q&A video and photos: Are humans inherently good or evil?

Lord of the Flies Q&A video and photos: Are humans inherently good or evil?

Last night I chaired my second of three post-show Q&As with Lazarus Theatre Company as part of their 2019 residency at Greenwich Theatre – their highly acclaimed return production of Lord of the Flies.
William Golding’s novel was published in 1954 and was highly influenced by the wartime experiences he’d lived through. “Anyone who moved […]

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    Q&A video and photos: Relaunching the Lion & Unicorn Theatre as a new fringe destination

Q&A video and photos: Relaunching the Lion & Unicorn Theatre as a new fringe destination

How can a 60-seat black box studio above a pub stand out amongst nearly 100 Off-West End and fringe theatres in London? THIS is how.
There was palpable excitement in the room on last night at Proforca Theatre Company’s industry relaunch of the Lion & Unicorn Theatre, with a very warm reciprocal embrace for the company’s […]

  • Alexander Matthews & Chris Porter at my Do You Love This Planet? post-show Q&A at Tristan Bates Theatre on 6 March 2019. © Peter Jones
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    Do You Love This Planet? Q&A video and photos: Philosophy, individual responsibility and climate change

Do You Love This Planet? Q&A video and photos: Philosophy, individual responsibility and climate change

How often do you ask yourself this question: Do you love this planet? No, but seriously, do you really love this planet? How much? And how much are you willing to sacrifice to prove it in the face of impending Armageddon? What are you actually doing?
What philosopher and life-long nuclear disarmament activist Alexander Matthews […]

  • I recommend getting a cabaret table at the front for Call Me Vicky. Also the perfect view for our post-show Q&A. © Peter Jones
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    Call Me Vicky Q&A video and photos: How difficult was it to transition in the 1980s?

Call Me Vicky Q&A video and photos: How difficult was it to transition in the 1980s?

It was a great big family affair for my post-show Q&A at Call Me Vicky at the Pleasance Theatre this weekend. The new one-act comedy-drama marks the playwriting debut for sisters Stacey and Nicola Bland, who also perform in the cast, and their mum, dad and nan were in proud attendance.
Call Me Vicky is […]

  • The open forum with cast, creatives and audience following a performance of All in Row at London's Southwark Playhouse on 21 February 2019. © Peter Jones
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    Post-show forum: Taking the All in a Row controversy & conversation offline

Post-show forum: Taking the All in a Row controversy & conversation offline

A lot has been said about All in a Row online (especially on Twitter around #puppetgate) – about the play itself, its depiction of autism and its use of a puppet in portraying the non-verbal autistic 11-year-old character. Last night we were able to take the conversation offline.
I felt a great responsibility in chairing what I view as […]

  • My Gently Down the Stream Q&A with (l-r) Ben Allen, Martin Sherman, Jonathan Hyde & Harry Lawtey. © Peter Jones
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    Gently Down the Stream Q&A podcast and photos: Martin Sherman on passing on gay history and happiness

Gently Down the Stream Q&A podcast and photos: Martin Sherman on passing on gay history and happiness

“It’s so rare these days to see a play about optimism,” the wonderful actor Malcolm Sinclair told me after Wednesday night’s performance of Gently Down the Stream at the Park Theatre. Malcolm had attended the press night two days earlier and loved Martin Sherman’s new play so much that he returned with his partner […]

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    The Tempest Q&A video and photos: What happens when Prospero & Miranda becomes a mother-son relationship?

The Tempest Q&A video and photos: What happens when Prospero & Miranda becomes a mother-son relationship?

In my first of three post-show Q&As this year with Lazarus Theatre, I was at Greenwich Theatre for this pioneering ensemble company’s exciting re-examination of Shakespeare’s The Tempest. Sure, we’ve had Prospero played by a woman before – not least Vanessa Redgrave, Helen Mirren and Harriet Walter – but what happens when you take […]

  • Top tweeting from May Cunningham for @MyTheatreMates at my Dracula post-show Q&A at The London Library
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    Q&A video and photos: What would Bram Stoker think of Dracula staged at The London Library?

Q&A video and photos: What would Bram Stoker think of Dracula staged at The London Library?

The bookworm in me adores everything about libraries and they don’t get much more atmospheric, or historic, than The London Library, the world’s oldest independent lending library – and now a highly unconventional theatrical venue for Creation Theatre Company’s latest offering.
Dubbed by Stephen Fry as a “gym of the mind”, The London Library, with its […]

  • This is our selfie pout after my post-show Q&A at My Dad's Gap Year. © Anthony Kelly
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    My Dad’s Gap Year Q&A video and photos: Launching Tom Wright and Rikki Beadle-Blair’s unstoppable collaboration

My Dad’s Gap Year Q&A video and photos: Launching Tom Wright and Rikki Beadle-Blair’s unstoppable collaboration

The Park Theatre was absolutely buzzing last night with two sell-out shows, including in Park 90, Tom Wright’s debut play My Dad’s Gap Year, which has nearly sold out the rest of its run too. What’s the secret alchemy between Wright and his director Rikki Beadle-Blair?
I suspect that a key element is their mutual […]

  • Counting Sheep post-show Q&A
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    Counting Sheep Q&A video and photos: How do you stage a real-life revolution?

Counting Sheep Q&A video and photos: How do you stage a real-life revolution?

It’s only a matter of days until the UK is scheduled to depart the European Union. As anyone who follows me knows, Brexit is an outcome I’ve been fighting, marching and campaigning against since David Cameron first announced the date for the 2016 referendum. 
So to be invited to chair Counting Sheep, in a new co-production with Belarus Free […]

  • My post-show Q&A at The Orchestra with Jeremy Sams, cast members Toph Enany & Stefania Licari, director Kristine Landon-Smith & composer Felix Cross
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    The Orchestra Q&A photos: Why don’t we see more revivals of French dramatist Jean Anouilh?

The Orchestra Q&A photos: Why don’t we see more revivals of French dramatist Jean Anouilh?

One of the reasons I love chairing post-show Q&As so much is the chance I get to learn new things from incredibly talented and knowledgeable panellists. Last night’s event for Jean Anouilh’s play The Orchestra at Omnibus Theatre was a special treat as the expert on hand was also an old friend of mine: award-winning director, […]

  • Biscuits discussed, biscuits served. Philip Reeve, Brian Mitchell & David Mounfield at my post-show Q&A for The Ministry of Biscuits at Barons Court Theatre. © Peter Jones
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    The Ministry of Biscuits Q&A video and photos: Sharing biscuits and a love of G&S with Philip Reeve and co

The Ministry of Biscuits Q&A video and photos: Sharing biscuits and a love of G&S with Philip Reeve and co

Charming, delectable, delicious. And those are just the custard creams… It’s not often I get offered biscuits at the post-show Q&As I chair, but at a show called The Ministry of Biscuits, it would have seemed remiss not to.
Since its 1998 premiere, this delightful musical has been scaled down to a bijou four-hander performed by […]

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    The Showstoppers Q&A video and photos: ‘Just give us something with heart’ say the musical improv masters

The Showstoppers Q&A video and photos: ‘Just give us something with heart’ say the musical improv masters

I’ve been following the insanely talented improv geniuses of The Showstoppers for most of their eleven years. How do they do it? I still can’t really fathom it, but I was pleased to gain a few more insights – and a new well of admiration – after chairing a post-show Q&A with them this […]

  • An all-female panel for my Nuns post-show Q&A at Tristan Bates Theatre. © Peter Jones
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    ‘I walk around naked a lot more’: Video and photos from all-female Nuns Q&A

‘I walk around naked a lot more’: Video and photos from all-female Nuns Q&A

I started this past weekend in a room full of wonderful, talented and inspiring women (and some great male allies) at London’s Tristan Bates Theatre chairing a BOSSY all-female panel after a performance of Robert Luxford’s Nuns.
Thanks to the Dutch Dame Productions’ co-founders Cecile Sinclair and Natalya Wolter-Ferguson, She’s Diverse co-producer Valerie Isaiah-Sadoh and their company […]

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    Outlying Islands Q&A video and photos: The creative collaboration at the heart of Atticist’s success

Outlying Islands Q&A video and photos: The creative collaboration at the heart of Atticist’s success

In the second of my back-to-back post-show Q&As at the King’s Head Theatre this past week, I was at the Off West End powerhouse’s original home in Islington for Atticist’s first London revival of David Greig’s 2002 play Outlying Islands.
Outlying Islands is only the third production from Atticist, but the company has already earned […]

  • My Coming Clean post-show Q&A with Adam Spreadbury-Maher, Martin Sherman, Carrie Lyell & David Parker at Trafalgar Studios. © Peter Jones
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    Coming Clean Q&A video and photos: Why has it taken 37 years for Kevin Elyot’s play to get its West End premiere?

Coming Clean Q&A video and photos: Why has it taken 37 years for Kevin Elyot’s play to get its West End premiere?

In the first of my two back-to-back King’s Head Theatre post-show Q&As, I was at Trafalgar Studios for the West End premiere of Kevin Elyot’s first play, Coming Clean, 37 years after the actor-turned-writer made his playwriting debut with it at London’s Bush Theatre.
Artistic director Adam Spreadbury-Maher’s acclaimed revival was first seen at the […]

  • My Anomaly post-show Q&A with writer Liv Warden, director Adam Small & stars Alice Handoll, Katherine Samuelson & Natasha Cowley. © Peter Jones
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    Anomaly Q&A video and photos: Would you defend your father if he was guilty of sexual abuse?

Anomaly Q&A video and photos: Would you defend your father if he was guilty of sexual abuse?

There’s a staggering amount of up-and-coming talent on display with the world premiere of “post-Weinstein, post-Spacey drama” Anomaly, now running at London’s Old Red Lion Theatre.
In the young Wild Child Productions company, there are no fewer than three debuts: for playwright Liv Warden for two of the three-hander’s actors, Alice Handoll and Katherine Samuelson. Even […]

  • My Songs for Nobodies post-show Q&A with Bernadette Robinson at the West End's Ambassadors Theatre. © Peter Jones
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    Songs for Nobodies Q&A video and photos: How did Caroline O’Connor motivate Bernadette Robinson?

Songs for Nobodies Q&A video and photos: How did Caroline O’Connor motivate Bernadette Robinson?

How does it feel to have a one-woman show written especially for you by one of your country’s leading writers? Pretty damn good, according to Songs for Nobodies’ Bernadette Robinson – though, to be clear, there was nothing passive about this privilege in her case.
In the post-show Q&A I chaired with Robinson at the West End’s Ambassadors Theatre […]

  • Neil McCormick (performing) & the cast at my Chasing Bono post-show Q&A at Soho Theatre on 15 Dec 2018. © Peter Jones
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    Chasing Bono Q&A video and photos: Turning failure into success and finding god (the solo)

Chasing Bono Q&A video and photos: Turning failure into success and finding god (the solo)

My final post-show Q&A of the year, to the stage premiere of Chasing Bono, was an absolute Irish corker! After a revealing discussion about the fine line between success and failure and the perils of fame, it ended with an impromptu song performance. Could someone in stage management get us a guitar at Soho Theatre? They could and […]

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    Dialektikon Q&A video and photos: How much do you know about Stokely Carmichael? (And four other big thinkers)

Dialektikon Q&A video and photos: How much do you know about Stokely Carmichael? (And four other big thinkers)

Author Jacky Ivimy was inspired to start writing Dialektikon after coming across film and transcripts from the Liberation of Dialectics Congress.
At this two-week event, held at London’s Roundhouse in 1967, some of the late 20th century’s leading thinkers convened – including Trinidadian-born civil rights activist and Black Panther Stokely Carmichael, English scientist Gregory Bateson, […]

  • Stars Toby Marlow & Zak Ghazi-Torbati with director/co-writer Lucy Moss & me at the Hot Gay Time Machine post-show Q&A at Trafalgar Studios. © Peter Jones
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    Hot Gay Time Machine Q&A video and photos: Celebrating birthdays, coming out and locker-room cocks

Hot Gay Time Machine Q&A video and photos: Celebrating birthdays, coming out and locker-room cocks

You know you’re at a different type of theatre experience when you find yourself singing along – loudly – about how much we all love looking at cocks in the locker room. (Even when you’ve never been in a cocker-room.)
The party spirit for Hot Gay Time Machine starts before the performance as co-stars Toby […]

An Honourable Man Q&A video and photos: Has there ever been a more poisonous time in UK politics? (Insiders’ views)

Populism, patriotism, political theatre, predictions for Brexit and the fast-paced nature of life-imitating-art-imitating-life were amongst the topics covered in an incredibly good-natured discussion across a wide partisan spectrum at the post-show debate I chaired on Wednesday night at the premiere of An Honourable Man.
Michael McManus’ play had a sell-out, try-out week in June, which attracted […]

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    Fanatical Q&A video and photos: How & when did sci-fi geekery became so cool?

Fanatical Q&A video and photos: How & when did sci-fi geekery became so cool?

One of my favourite reviews of Fanatical, the new British musical currently receiving its world premiere season at London’s Playground Theatre, opines: “It will remind you why you love whatever it is that you’re a fan of”.
This warm, big-hearted, unashamedly geeky show is indeed “a love letter to fandom”, and at last night’s post-show […]

  • Members of Acting Gymnasium at A Flea in Her Ear post-show Q&A at London's Theatro Technis on 16 November 2018. © Peter Jones
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    A Flea in Her Ear Q&A video and photos: From weekly workshops to a season of French comedies

A Flea in Her Ear Q&A video and photos: From weekly workshops to a season of French comedies

The Acting Gymnasium, founded by Gavin McAlinden, runs weekly creative performance workshops that help individuals develop their acting skills, build confidence, exercise their imagination, improve vocal techniques and… perform in a professional show.
You can see the product of their work in a season of French comedies running now at London’s Theatro Technis. On Friday, […]

  • Ginger Johnson & fellow Sink the Pink team members at How to Catch A Krampus post-show Q&A at The Pleasance. © Darren Ross
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    Q&A video and photos: How to Catch a Krampus and celebrate the best of British drag

Q&A video and photos: How to Catch a Krampus and celebrate the best of British drag

How much do you know about the British tradition of drag? British drag artists are the “punks of performance”, according to Ginger Johnson, who has written, directed, designed and performs in a show that brilliantly illustrates and celebrates this tradition.
How to Catch a Krampus is the latest offering from Sink the Pink. After a decade of […]

  • The Pit & the Pendulum Q&A with Lucy Askew, Afsaneh Dehrouyeh & Christopher York at London's Omnibus Theatre.  © Peter Jones
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    The Pit & the Pendulum Q&A video and photos: Reimagining Edgar Allan Poe’s horror story with hijabs and headsets

The Pit & the Pendulum Q&A video and photos: Reimagining Edgar Allan Poe’s horror story with hijabs and headsets

Edgar Allan Poe wrote the short story The Pit & the Pendulum in 1842, inspired by the idea of a political prisoner tormented during the Spanish Inquisition.
In this new version, written and directed by Christopher York for Oxford-based site-specific specialists Creation Theatre Company, the inmate is a woman from Tehran (played by Iranian-British actress Afsaneh […]

  • Post-show Q&A with Looking for Gatsby's writers Linnie Reedman & Joe Evans & cast at The Other Palace on 12 November 2018. © Peter Jones
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    Looking for Gatsby Q&A video and photos: How does F Scott Fitzgerald’s story look from Daisy’s perspective?

Looking for Gatsby Q&A video and photos: How does F Scott Fitzgerald’s story look from Daisy’s perspective?

Swift but swinging! We had less than twenty minutes for last night’s post-show Q&A for new musical Looking for Gatsby but – taking a leaf out of this incredible company’s book – we made the most of it. It’s amazing how much you can ground you can cover when you’re up against the clock!
What happens […]

  • My Yerma post-show Q&A with adatper/director Jorge de Juan & cast Leila Damilola, Tom Whitelock & Coco Mbassi. © Peter Jones
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    Yerma Q&A video and photos: What toll does the titanic title role take on an actress?

Yerma Q&A video and photos: What toll does the titanic title role take on an actress?

Federico Garcia Lorca spent three months in Cuba in 1930 – six years before he was assassinated (aged just 38) by Franco nationalists in his native Spain. He fell in love with the Caribbean island nation and it with him. And it’s this association that inspired Jorge de Juan in his new adaptation of Lorca […]

  • My post-show Q&A with the Soldier On company at The Other Palace on 29 October 2018. © Peter Jones
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    Soldier On Q&A video and photos: Does a soldier ever really stop being a soldier?

Soldier On Q&A video and photos: Does a soldier ever really stop being a soldier?

Does a soldier ever stop being a soldier? “No!” shouted several from the audience at last night’s post-show discussion for Soldier On at The Other Palace.
The play, dubbed “The Full Military Monty”, was developed and workshopped with real soldiers and their families and shows how all are affected by PTSD. It’s performed by a […]

  • My post-show Q&A at A Guide for the Homesick with writer Ken Urban, director Jonathan O'Boyle & stars Douglas Booth & Clifford Samuel at London's Trafalgar Studios on 19 October 2018. © Peter Jones
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    A Guide for the Homesick Q&A video and photos: How did Doctors Without Borders & homophobia inspire this new play?

A Guide for the Homesick Q&A video and photos: How did Doctors Without Borders & homophobia inspire this new play?

The night after they faced the press, the team behind the European premiere production of A Guide for the Homesick faced a packed audience, most of whom stayed on to take part enthusiastically in our post-show discussion.
Ken Urban’s play was commissioned in 2011 and had its world premiere last year in Boston. This new production […]

  • My post-show Q&A with the creators & cast of The Wider Earth at the Natural History Museum on 9 October 2018. © Peter Jones
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    The Wider Earth Q&A video and photos: Puppetry evolution & Charles Darwin at the Natural History Museum

The Wider Earth Q&A video and photos: Puppetry evolution & Charles Darwin at the Natural History Museum

The Wider Earth is billed as one of the theatre events of the year – and, on this occasion, that’s no exaggeration. What a privilege for me to play a small part in helping to launch this spectacular and historic production, which tells the story of a young Charles Darwin and is staged in […]

  • The Sweet Science of Bruising post-show Q&A with writer Joy Wilkinson, director Kirsty Patrick Ward & producer Ashley Cook at Southwark Playhouse on 6 October 2018.
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    The Sweet Science of Bruising Q&A video and photos: Why’s now the right time for a play about Victorian female boxers?

The Sweet Science of Bruising Q&A video and photos: Why’s now the right time for a play about Victorian female boxers?

This weekend, I got to enter the boxing ring at London’s Southwark Playhouse to chair a post-show Q&A at Troupe Theatre’s world premiere production of Joy Wilkinson’s The Sweet Science of Bruising.
London, 1869. Four very different Victorian women are drawn into the dark underground world of female boxing by the eccentric Professor Sharp. Controlled by men […]

  • I chaired a Kids Play post-show Q&A with writer/director Glenn Chandler & actors Joseph Clarke & David Mullen at London's Above the Stag Theatre on 3 October 2018. © Peter Jones
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    Kids Play Q&A video and photos: Talking taboos and teddy bears with Glenn Chandler

Kids Play Q&A video and photos: Talking taboos and teddy bears with Glenn Chandler

When a show has as many twists and turns as Glenn Chandler’s KIDS PLAY, there are special challenges in live-streaming and live-tweeting a post-show discussion. Last night, Chander, his London stars David Mullen and Joseph Clarke, myself and the audience at Above the Stag did our best to avoid spoilers. Though it was difficult at points!
What […]

  • Ay, Carmela! post-show Q&A with director Paula Paz & actors Madalena Alberto & Ivanhoe Norona. © Peter Jones
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    Ay, Carmela! Q&A video and photos: Do only the dead remember the Spanish Civil War?

Ay, Carmela! Q&A video and photos: Do only the dead remember the Spanish Civil War?

How much do you know about the Spanish Civil War (1936-1939)? Who fought on the side of the Republicans and who for the Nationalists? What happened to those who got caught in the middle, such as Paulino and Carmelo in Jose Sanchis Sinisterra’s Ay, Carmela!?
In the 1986 stage play, famously made into a 1990 Spanish […]

  • I chaired a post-show Q&A with Stand & Be Counted Theatre at their performance of Where We Began at HighTide Festival in Walthamstow on 23 Sep 2018. © Peter Jones
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    Where We Began Q&A video and photos: Should where we’re born define where we end up?

Where We Began Q&A video and photos: Should where we’re born define where we end up?

Should country of birth define your identity or determine where you end up? 
Set in the near-future, Stand and Be Counted Theatre’s highly political new play Where We Began imagines a world where a new universal law mandates that everyone must return to where they were born and stay there. Borders are built everywhere and strictly enforced: […]

  • My in-depth, impromptu interview with Blood Wedding adapter/director George Richmond-Scott at the Omnibus Theatre on 12 September 2018. © Anthony Kelly
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    Blood Wedding Q&A and podcast: What happens when you relocate Lorca to modern London?

Blood Wedding Q&A and podcast: What happens when you relocate Lorca to modern London?

What a reminder that live theatre is LIVE, that things can go wrong and that that’s all part of the excitement. 
At the Omnibus Theatre last night, Blood Wedding’s 7.30pm start time was delayed as one of the actors was trapped on a broken down overground train. I was already there to chair a post-show Q&A […]

  • At the Six post-show Q&A at London's Arts Theatre on 11 September 2018, I was joined by six queens, two co-writers & one musical director. © Peter Jones
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    Six Q&A video and photos: Which other historic female figures should get the musical treatment?

Six Q&A video and photos: Which other historic female figures should get the musical treatment?

Adrenaline still pumping as I type this! SIX The Musical was the undisputed hit of this year’s Edinburgh Fringe and it’s now transferred back to the West End’s Arts Theatre for an extended run at the Arts Theatre, where it had a handful of showcase performances over the Christmas/New Year period.

I first saw the show […]

  • Terri Paddock with writer Alex Oates, star Josh Barrow & director Dominic Shaw at the Silk Road post-show Q&A at Trafalgar Studios, 13 August 2018. © Peter Jones
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    Silk Road Q&A video and photos: How DO you buy drugs online? And write a play about it?

Silk Road Q&A video and photos: How DO you buy drugs online? And write a play about it?

How do you buy drugs online? What was Silk Road? Could the libertarians on it actually be steering us towards a more humane drug policy? Or is a play about this dark-web marketplace glamourising drugs? What do you do with a bitcoin production donation? Who’s actually read Robert Louis Stevenson’s Treasure Island?

Not the usual questions […]

  • Knights of the Rose post-show Q&A at the Arts Theatre, London, on 26 July 2018. © Peter Jones
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    Knights of the Rose Q&A video and photos: Defining the new ‘rockspeare’ genre and celebrating understudies (sort of)

Knights of the Rose Q&A video and photos: Defining the new ‘rockspeare’ genre and celebrating understudies (sort of)

On Wednesday afternoon, Jennifer Caldwell was working in the box office at the Arts Theatre, where new musical Knights of the Rose is currently playing. That night, with less than three hours’ rehearsal and having never even seen the show all the way through, she was onstage playing one of the female leads. As […]

  • The Rise & Fall of Little Voice post-show Q&A at the Barn Theatre. © Peter Jones
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    Q&A video and photos: Little Voice makes a big impact at the Barn

Q&A video and photos: Little Voice makes a big impact at the Barn

Are women punished in drama for liking sex and drink? What has modern classic The Rise and Fall of Little Voice got in common with Greek drama? What’s the secret to vocal impressions?

I was delighted to return to Cirencester this weekend to chair my third consecutive post-show discussion at the pioneering Barn Theatre. For this […]

  • It Happened in Key West post-show Q&A chaired by Terri Paddock at London's Charing Cross Theatre on 11 July 2018. © Peter Jones
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    It Happened in Key West Q&A video and photos: But did it ACTUALLY happen? (Yes)

It Happened in Key West Q&A video and photos: But did it ACTUALLY happen? (Yes)

Andrew Lloyd Webber came up twice in conversation at last night’s post-show for It Happened in Key West. The second pertained to the title of the show which, many years ago, when Jeremiah James was first inspired by a late-night television documentary about Carl von Cosel. James had originally wanted to call this musical Love Never Dies… […]

  • Terri Paddock with Sirens of the Screen's Beth Burrows & director Mark Giesser at the post-show Q&A at London's Tabard Theatre on 5 July 2018. © Peter Jones
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    Q&A video and photos: Why are we still so fascinated by these Sirens of the Silver Screen?

Q&A video and photos: Why are we still so fascinated by these Sirens of the Silver Screen?

If you had to choose just three Hollywood legends to build a theatre show around, who would you choose? For Sirens of the Silver Screen, Beth Burrows selected Judy Garland, Audrey Hepburn and Marilyn Monroe. At last night’s post-show discussion at the Tabard Theatre, she explained why she did, how much fun she had researching […]

  • David Haig with Philip Cairns & Malcolm Sinclair at the Pressure post-show Q&A at the Ambassadors Theatre on 2 July 2018. © Peter Jones
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    Pressure Q&A video and photos: How did David Haig come to write and star in a play about unsung Scottish hero and weatherman James Stagg?

Pressure Q&A video and photos: How did David Haig come to write and star in a play about unsung Scottish hero and weatherman James Stagg?

If you’d never heard of the James Stagg before David Haig’s latest play Pressure, don’t feel bad: neither had he. Haig was approached by director John Dove and Edinburgh’s Royal Lyceum Theatre who wanted to create a play about an unsung Scottish hero. They drew up a list of possible candidates and Stagg caught […]

  • Beirut post-show Q&A at London's Park Theatre on 14 June 2018. © Anthony Kelly
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    Beirut Q&A video and photos: When is an AIDS play not really about AIDS at all?

Beirut Q&A video and photos: When is an AIDS play not really about AIDS at all?

A warning to start: Beirut is not for the prudish. In this two-hander, Robert Rees’ Torch starts the evening buck naked (doing pull-ups) and he and co-star Louisa Connolly-Burnham, as his lustily willing-to-risk-anything girlfriend Blue, spend the next 65 minutes in various stages of undress, tumbling in and out of bed (well, a single mattress on […]

  • Director Dave Spencer, writer Ruby Lawrence & actors Gemma Yates-Round & Charles Warner at The Yellow Wallpaper post-show Q&A on 13 June 2018. © Peter Jones
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    The Yellow Wallpaper Q&A video and photos: What does a 19th-century American short story tell us about modern misogyny and mental health?

The Yellow Wallpaper Q&A video and photos: What does a 19th-century American short story tell us about modern misogyny and mental health?

Audience member Jessica McClellan at the Omnibus Theatre tweeted that last night’s post-show discussion for The Yellow Wallpaper was “deep AF” (I’ll assume you know what the AF stands for in social media speak…). It was pretty deep, in keeping with the extraordinary performance we’d just witnessed of Gemma Yates-Round as Alice, a woman suffering from […]

  • My Schism post-show Q&A  with author-activist-actor Athena Stevens at the Park Theatre. © Peter Jones
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    Schism Q&A video and photos: Talking feminism, diversity, accessibility and toxic relationships with author-actor-activist Athena Stevens

Schism Q&A video and photos: Talking feminism, diversity, accessibility and toxic relationships with author-actor-activist Athena Stevens

Two scratch-your-head stats shared during my post-show Q&A for Schism last night at London’s Park Theatre: one, less than five percent of the UK population has dated someone with a disability, and two – wait for it – only one in four have even had a conversation with a disabled person.

Is it any wonder that diverse […]

  • Artistic director Iwan Lewis and Cotswold councillor Joe Harris at the One Minute debate. © Peter Jones
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    One Minute Q&A video and photos: Who’s offended by bad language onstage and why?

One Minute Q&A video and photos: Who’s offended by bad language onstage and why?

When I first saw the Barn Theatre revival of Simon Stephens’ 2003 play One Minute, the things that struck me most were, in no particular order: the ground-breaking video projection design (by PJ McEvoy, film sequences by Ben Collins), the delicate performances of the five-strong cast, the seamless-but-sinister weaving of social media into a […]

  • A post-show Q&A first for me: writer Guillem Clua Skyped in from Madrid for The Swallow discussion
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    The Swallow Q&A video and photos: How do homophobia and grief translate?

The Swallow Q&A video and photos: How do homophobia and grief translate?

Another post-show Q&A first for me. Due to a last-minute scheduling conflict, Spanish playwright Guillem Clua had to cancel his flight to London to attend last night’s performance of his acclaimed two-hander THE SWALLOW at the Cervantes Theatre, but he desperately wanted to take part in the post-show discussion – so the game team at […]

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    The Big Things Q&A photos and podcast: How can theatre better raise awareness about autism?

The Big Things Q&A photos and podcast: How can theatre better raise awareness about autism?

The Big Things, currently running at Barons Court Theatre, brings us into the world of Grace who, after meeting and falling in love with Malcolm and becoming a parent, is diagnosed with autism.

The London premiere is presented by Kibo Productions, who selected it from some 200 scripts received after an open submissions call. It’s […]

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    Q&A video and photos: Discussing racism & representation at Rasheeda Speaking

Q&A video and photos: Discussing racism & representation at Rasheeda Speaking

What a provocative play and post-show discussion! Are we all racist? How different are racial relations in 21st-century America versus Britain? How do we get more unheard voices onstage? Can white men tell valid stories about minority groups? Should they?

Joel Drake Johnson’s four-hander Rasheeda Speaking caused a stir when it was first seen in Chicago and New […]

  • Waiting for the Siberian Lights company to take their seats at the Q&A. © Darren Ross
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    Q&A video and photos: What happens in the Dames loo on a Friday night?

Q&A video and photos: What happens in the Dames loo on a Friday night?

I missed a trick with my questions last night at the world premiere of DAMES, the surreal comedy about six millennial women who meet in a nightclub loo, which marks the playwriting debut of Charlotte Merriam and the producing debut of Siberian Lights, the company she co-founded with three of her peers at Royal Welsh College […]

  • The full military monty:  The entire Soldier On company took part in the post-show Q&A at the Playground Theatre. © Peter Jones
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    Q&A photos and podcast: How has theatre helped Soldier On‘s veterans recover?

Q&A photos and podcast: How has theatre helped Soldier On‘s veterans recover?

I’m pretty certain that my event last night at SOLDIER ON was my largest-ever panel for a post-show Q&A: in total, there were 19 of us, including me. Thank goodness the Playground Theatre had plenty of chairs and just enough room to arrange them in arc across the stage (I chose to stand and rove!).

Such enthusiasm for the piece […]

  • Leading lady Julia Watson, author Ian Grant & director Nadia Papachronopoulou at After the Ball Q&A at Upstairs at the Gatehouse. © Peter Jones
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    Q&A video and photos: Celebrating mothers, daughters and gender equity at After the Ball

Q&A video and photos: Celebrating mothers, daughters and gender equity at After the Ball

When you hold a post-show Q&A on Mothering Sunday, it’s awfully helpful to have a mother of one of the show’s stars in the cast. (Though I do hope After the Ball cast member Emily Tucker treated her mum to a slap-up meal afterwards in the buzzing bar and restaurant at the Gatehouse!)
Inevitably, we […]

  • Get your free Caesar gear in the pit at the Bridge Theatre
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    WATCH show vlogs: Julius Caesar, Beginning, The Lady With a Dog and Foul Pages

WATCH show vlogs: Julius Caesar, Beginning, The Lady With a Dog and Foul Pages

I’ve been raving about Julius Caesar to everyone over the past few weeks, and particularly the experience of seeing it in the pit of the staggeringly versatile Bridge Theatre. This second production in the new 900-seater founded by former National Theatre Nicks Hytner and Starr really flaunts its wide-ranging ambition with this modern-dress Shakespeare.

Okay, […]