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    Dialektikon Q&A video and photos: How much do you know about Stokely Carmichael? (And four other big thinkers)

Dialektikon Q&A video and photos: How much do you know about Stokely Carmichael? (And four other big thinkers)

Author Jacky Ivimy was inspired to start writing Dialektikon after coming across film and transcripts from the Liberation of Dialectics Congress.
At this two-week event, held at London’s Roundhouse in 1967, some of the late 20th century’s leading thinkers convened – including Trinidadian-born civil rights activist and Black Panther Stokely Carmichael, English scientist Gregory Bateson, […]

  • Stars Toby Marlow & Zak Ghazi-Torbati with director/co-writer Lucy Moss & me at the Hot Gay Time Machine post-show Q&A at Trafalgar Studios. © Peter Jones
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    Hot Gay Time Machine Q&A video and photos: Celebrating birthdays, coming out and locker-room cocks

Hot Gay Time Machine Q&A video and photos: Celebrating birthdays, coming out and locker-room cocks

You know you’re at a different type of theatre experience when you find yourself singing along – loudly – about how much we all love looking at cocks in the locker room. (Even when you’ve never been in a cocker-room.)
The party spirit for Hot Gay Time Machine starts before the performance as co-stars Toby […]

An Honourable Man Q&A video and photos: Has there ever been a more poisonous time in UK politics? (Insiders’ views)

Populism, patriotism, political theatre, predictions for Brexit and the fast-paced nature of life-imitating-art-imitating-life were amongst the topics covered in an incredibly good-natured discussion across a wide partisan spectrum at the post-show debate I chaired on Wednesday night at the premiere of An Honourable Man.
Michael McManus’ play had a sell-out, try-out week in June, which attracted […]

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    Fanatical Q&A video and photos: How & when did sci-fi geekery became so cool?

Fanatical Q&A video and photos: How & when did sci-fi geekery became so cool?

One of my favourite reviews of Fanatical, the new British musical currently receiving its world premiere season at London’s Playground Theatre, opines: “It will remind you why you love whatever it is that you’re a fan of”.
This warm, big-hearted, unashamedly geeky show is indeed “a love letter to fandom”, and at last night’s post-show […]

  • Members of Acting Gymnasium at A Flea in Her Ear post-show Q&A at London's Theatro Technis on 16 November 2018. © Peter Jones
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    A Flea in Her Ear Q&A video and photos: From weekly workshops to a season of French comedies

A Flea in Her Ear Q&A video and photos: From weekly workshops to a season of French comedies

The Acting Gymnasium, founded by Gavin McAlinden, runs weekly creative performance workshops that help individuals develop their acting skills, build confidence, exercise their imagination, improve vocal techniques and… perform in a professional show.
You can see the product of their work in a season of French comedies running now at London’s Theatro Technis. On Friday, […]

  • Ginger Johnson & fellow Sink the Pink team members at How to Catch A Krampus post-show Q&A at The Pleasance. © Darren Ross
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    Q&A video and photos: How to Catch a Krampus and celebrate the best of British drag

Q&A video and photos: How to Catch a Krampus and celebrate the best of British drag

How much do you know about the British tradition of drag? British drag artists are the “punks of performance”, according to Ginger Johnson, who has written, directed, designed and performs in a show that brilliantly illustrates and celebrates this tradition.
How to Catch a Krampus is the latest offering from Sink the Pink. After a decade of […]

  • The Pit & the Pendulum Q&A with Lucy Askew, Afsaneh Dehrouyeh & Christopher York at London's Omnibus Theatre.  © Peter Jones
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    The Pit & the Pendulum Q&A video and photos: Reimagining Edgar Allan Poe’s horror story with hijabs and headsets

The Pit & the Pendulum Q&A video and photos: Reimagining Edgar Allan Poe’s horror story with hijabs and headsets

Edgar Allan Poe wrote the short story The Pit & the Pendulum in 1842, inspired by the idea of a political prisoner tormented during the Spanish Inquisition.
In this new version, written and directed by Christopher York for Oxford-based site-specific specialists Creation Theatre Company, the inmate is a woman from Tehran (played by Iranian-British actress Afsaneh […]

  • Post-show Q&A with Looking for Gatsby's writers Linnie Reedman & Joe Evans & cast at The Other Palace on 12 November 2018. © Peter Jones
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    Looking for Gatsby Q&A video and photos: How does F Scott Fitzgerald’s story look from Daisy’s perspective?

Looking for Gatsby Q&A video and photos: How does F Scott Fitzgerald’s story look from Daisy’s perspective?

Swift but swinging! We had less than twenty minutes for last night’s post-show Q&A for new musical Looking for Gatsby but – taking a leaf out of this incredible company’s book – we made the most of it. It’s amazing how much you can ground you can cover when you’re up against the clock!
What happens […]

  • My Yerma post-show Q&A with adatper/director Jorge de Juan & cast Leila Damilola, Tom Whitelock & Coco Mbassi. © Peter Jones
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    Yerma Q&A video and photos: What toll does the titanic title role take on an actress?

Yerma Q&A video and photos: What toll does the titanic title role take on an actress?

Federico Garcia Lorca spent three months in Cuba in 1930 – six years before he was assassinated (aged just 38) by Franco nationalists in his native Spain. He fell in love with the Caribbean island nation and it with him. And it’s this association that inspired Jorge de Juan in his new adaptation of Lorca […]

  • My post-show Q&A with the Soldier On company at The Other Palace on 29 October 2018. © Peter Jones
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    Soldier On Q&A video and photos: Does a soldier ever really stop being a soldier?

Soldier On Q&A video and photos: Does a soldier ever really stop being a soldier?

Does a soldier ever stop being a soldier? “No!” shouted several from the audience at last night’s post-show discussion for Soldier On at The Other Palace.
The play, dubbed “The Full Military Monty”, was developed and workshopped with real soldiers and their families and shows how all are affected by PTSD. It’s performed by a […]

  • My post-show Q&A at A Guide for the Homesick with writer Ken Urban, director Jonathan O'Boyle & stars Douglas Booth & Clifford Samuel at London's Trafalgar Studios on 19 October 2018. © Peter Jones
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    A Guide for the Homesick Q&A video and photos: How did Doctors Without Borders & homophobia inspire this new play?

A Guide for the Homesick Q&A video and photos: How did Doctors Without Borders & homophobia inspire this new play?

The night after they faced the press, the team behind the European premiere production of A Guide for the Homesick faced a packed audience, most of whom stayed on to take part enthusiastically in our post-show discussion.
Ken Urban’s play was commissioned in 2011 and had its world premiere last year in Boston. This new production […]

  • My post-show Q&A with the creators & cast of The Wider Earth at the Natural History Museum on 9 October 2018. © Peter Jones
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    The Wider Earth Q&A video and photos: Puppetry evolution & Charles Darwin at the Natural History Museum

The Wider Earth Q&A video and photos: Puppetry evolution & Charles Darwin at the Natural History Museum

The Wider Earth is billed as one of the theatre events of the year – and, on this occasion, that’s no exaggeration. What a privilege for me to play a small part in helping to launch this spectacular and historic production, which tells the story of a young Charles Darwin and is staged in […]

  • The Sweet Science of Bruising post-show Q&A with writer Joy Wilkinson, director Kirsty Patrick Ward & producer Ashley Cook at Southwark Playhouse on 6 October 2018.
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    The Sweet Science of Bruising Q&A video and photos: Why’s now the right time for a play about Victorian female boxers?

The Sweet Science of Bruising Q&A video and photos: Why’s now the right time for a play about Victorian female boxers?

This weekend, I got to enter the boxing ring at London’s Southwark Playhouse to chair a post-show Q&A at Troupe Theatre’s world premiere production of Joy Wilkinson’s The Sweet Science of Bruising.
London, 1869. Four very different Victorian women are drawn into the dark underground world of female boxing by the eccentric Professor Sharp. Controlled by men […]

  • I chaired a Kids Play post-show Q&A with writer/director Glenn Chandler & actors Joseph Clarke & David Mullen at London's Above the Stag Theatre on 3 October 2018. © Peter Jones
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    Kids Play Q&A video and photos: Talking taboos and teddy bears with Glenn Chandler

Kids Play Q&A video and photos: Talking taboos and teddy bears with Glenn Chandler

When a show has as many twists and turns as Glenn Chandler’s KIDS PLAY, there are special challenges in live-streaming and live-tweeting a post-show discussion. Last night, Chander, his London stars David Mullen and Joseph Clarke, myself and the audience at Above the Stag did our best to avoid spoilers. Though it was difficult at points!
What […]

  • Ay, Carmela! post-show Q&A with director Paula Paz & actors Madalena Alberto & Ivanhoe Norona. © Peter Jones
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    Ay, Carmela! Q&A video and photos: Do only the dead remember the Spanish Civil War?

Ay, Carmela! Q&A video and photos: Do only the dead remember the Spanish Civil War?

How much do you know about the Spanish Civil War (1936-1939)? Who fought on the side of the Republicans and who for the Nationalists? What happened to those who got caught in the middle, such as Paulino and Carmelo in Jose Sanchis Sinisterra’s Ay, Carmela!?
In the 1986 stage play, famously made into a 1990 Spanish […]

  • I chaired a post-show Q&A with Stand & Be Counted Theatre at their performance of Where We Began at HighTide Festival in Walthamstow on 23 Sep 2018. © Peter Jones
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    Where We Began Q&A video and photos: Should where we’re born define where we end up?

Where We Began Q&A video and photos: Should where we’re born define where we end up?

Should country of birth define your identity or determine where you end up? 
Set in the near-future, Stand and Be Counted Theatre’s highly political new play Where We Began imagines a world where a new universal law mandates that everyone must return to where they were born and stay there. Borders are built everywhere and strictly enforced: […]

  • My in-depth, impromptu interview with Blood Wedding adapter/director George Richmond-Scott at the Omnibus Theatre on 12 September 2018. © Anthony Kelly
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    Blood Wedding Q&A and podcast: What happens when you relocate Lorca to modern London?

Blood Wedding Q&A and podcast: What happens when you relocate Lorca to modern London?

What a reminder that live theatre is LIVE, that things can go wrong and that that’s all part of the excitement. 
At the Omnibus Theatre last night, Blood Wedding’s 7.30pm start time was delayed as one of the actors was trapped on a broken down overground train. I was already there to chair a post-show Q&A […]

  • At the Six post-show Q&A at London's Arts Theatre on 11 September 2018, I was joined by six queens, two co-writers & one musical director. © Peter Jones
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    Six Q&A video and photos: Which other historic female figures should get the musical treatment?

Six Q&A video and photos: Which other historic female figures should get the musical treatment?

Adrenaline still pumping as I type this! SIX The Musical was the undisputed hit of this year’s Edinburgh Fringe and it’s now transferred back to the West End’s Arts Theatre for an extended run at the Arts Theatre, where it had a handful of showcase performances over the Christmas/New Year period.

I first saw the show […]

  • Terri Paddock with writer Alex Oates, star Josh Barrow & director Dominic Shaw at the Silk Road post-show Q&A at Trafalgar Studios, 13 August 2018. © Peter Jones
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    Silk Road Q&A video and photos: How DO you buy drugs online? And write a play about it?

Silk Road Q&A video and photos: How DO you buy drugs online? And write a play about it?

How do you buy drugs online? What was Silk Road? Could the libertarians on it actually be steering us towards a more humane drug policy? Or is a play about this dark-web marketplace glamourising drugs? What do you do with a bitcoin production donation? Who’s actually read Robert Louis Stevenson’s Treasure Island?

Not the usual questions […]

  • Knights of the Rose post-show Q&A at the Arts Theatre, London, on 26 July 2018. © Peter Jones
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    Knights of the Rose Q&A video and photos: Defining the new ‘rockspeare’ genre and celebrating understudies (sort of)

Knights of the Rose Q&A video and photos: Defining the new ‘rockspeare’ genre and celebrating understudies (sort of)

On Wednesday afternoon, Jennifer Caldwell was working in the box office at the Arts Theatre, where new musical Knights of the Rose is currently playing. That night, with less than three hours’ rehearsal and having never even seen the show all the way through, she was onstage playing one of the female leads. As […]

  • The Rise & Fall of Little Voice post-show Q&A at the Barn Theatre. © Peter Jones
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    Q&A video and photos: Little Voice makes a big impact at the Barn

Q&A video and photos: Little Voice makes a big impact at the Barn

Are women punished in drama for liking sex and drink? What has modern classic The Rise and Fall of Little Voice got in common with Greek drama? What’s the secret to vocal impressions?

I was delighted to return to Cirencester this weekend to chair my third consecutive post-show discussion at the pioneering Barn Theatre. For this […]

  • It Happened in Key West post-show Q&A chaired by Terri Paddock at London's Charing Cross Theatre on 11 July 2018. © Peter Jones
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    It Happened in Key West Q&A video and photos: But did it ACTUALLY happen? (Yes)

It Happened in Key West Q&A video and photos: But did it ACTUALLY happen? (Yes)

Andrew Lloyd Webber came up twice in conversation at last night’s post-show for It Happened in Key West. The second pertained to the title of the show which, many years ago, when Jeremiah James was first inspired by a late-night television documentary about Carl von Cosel. James had originally wanted to call this musical Love Never Dies… […]

  • Terri Paddock with Sirens of the Screen's Beth Burrows & director Mark Giesser at the post-show Q&A at London's Tabard Theatre on 5 July 2018. © Peter Jones
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    Q&A video and photos: Why are we still so fascinated by these Sirens of the Silver Screen?

Q&A video and photos: Why are we still so fascinated by these Sirens of the Silver Screen?

If you had to choose just three Hollywood legends to build a theatre show around, who would you choose? For Sirens of the Silver Screen, Beth Burrows selected Judy Garland, Audrey Hepburn and Marilyn Monroe. At last night’s post-show discussion at the Tabard Theatre, she explained why she did, how much fun she had researching […]

  • David Haig with Philip Cairns & Malcolm Sinclair at the Pressure post-show Q&A at the Ambassadors Theatre on 2 July 2018. © Peter Jones
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    Pressure Q&A video and photos: How did David Haig come to write and star in a play about unsung Scottish hero and weatherman James Stagg?

Pressure Q&A video and photos: How did David Haig come to write and star in a play about unsung Scottish hero and weatherman James Stagg?

If you’d never heard of the James Stagg before David Haig’s latest play Pressure, don’t feel bad: neither had he. Haig was approached by director John Dove and Edinburgh’s Royal Lyceum Theatre who wanted to create a play about an unsung Scottish hero. They drew up a list of possible candidates and Stagg caught […]

  • Beirut post-show Q&A at London's Park Theatre on 14 June 2018. © Anthony Kelly
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    Beirut Q&A video and photos: When is an AIDS play not really about AIDS at all?

Beirut Q&A video and photos: When is an AIDS play not really about AIDS at all?

A warning to start: Beirut is not for the prudish. In this two-hander, Robert Rees’ Torch starts the evening buck naked (doing pull-ups) and he and co-star Louisa Connolly-Burnham, as his lustily willing-to-risk-anything girlfriend Blue, spend the next 65 minutes in various stages of undress, tumbling in and out of bed (well, a single mattress on […]

  • Director Dave Spencer, writer Ruby Lawrence & actors Gemma Yates-Round & Charles Warner at The Yellow Wallpaper post-show Q&A on 13 June 2018. © Peter Jones
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    The Yellow Wallpaper Q&A video and photos: What does a 19th-century American short story tell us about modern misogyny and mental health?

The Yellow Wallpaper Q&A video and photos: What does a 19th-century American short story tell us about modern misogyny and mental health?

Audience member Jessica McClellan at the Omnibus Theatre tweeted that last night’s post-show discussion for The Yellow Wallpaper was “deep AF” (I’ll assume you know what the AF stands for in social media speak…). It was pretty deep, in keeping with the extraordinary performance we’d just witnessed of Gemma Yates-Round as Alice, a woman suffering from […]

  • My Schism post-show Q&A  with author-activist-actor Athena Stevens at the Park Theatre. © Peter Jones
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    Schism Q&A video and photos: Talking feminism, diversity, accessibility and toxic relationships with author-actor-activist Athena Stevens

Schism Q&A video and photos: Talking feminism, diversity, accessibility and toxic relationships with author-actor-activist Athena Stevens

Two scratch-your-head stats shared during my post-show Q&A for Schism last night at London’s Park Theatre: one, less than five percent of the UK population has dated someone with a disability, and two – wait for it – only one in four have even had a conversation with a disabled person.

Is it any wonder that diverse […]

  • Artistic director Iwan Lewis and Cotswold councillor Joe Harris at the One Minute debate. © Peter Jones
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    One Minute Q&A video and photos: Who’s offended by bad language onstage and why?

One Minute Q&A video and photos: Who’s offended by bad language onstage and why?

When I first saw the Barn Theatre revival of Simon Stephens’ 2003 play One Minute, the things that struck me most were, in no particular order: the ground-breaking video projection design (by PJ McEvoy, film sequences by Ben Collins), the delicate performances of the five-strong cast, the seamless-but-sinister weaving of social media into a […]

  • A post-show Q&A first for me: writer Guillem Clua Skyped in from Madrid for The Swallow discussion
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    The Swallow Q&A video and photos: How do homophobia and grief translate?

The Swallow Q&A video and photos: How do homophobia and grief translate?

Another post-show Q&A first for me. Due to a last-minute scheduling conflict, Spanish playwright Guillem Clua had to cancel his flight to London to attend last night’s performance of his acclaimed two-hander THE SWALLOW at the Cervantes Theatre, but he desperately wanted to take part in the post-show discussion – so the game team at […]

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    The Big Things Q&A photos and podcast: How can theatre better raise awareness about autism?

The Big Things Q&A photos and podcast: How can theatre better raise awareness about autism?

The Big Things, currently running at Barons Court Theatre, brings us into the world of Grace who, after meeting and falling in love with Malcolm and becoming a parent, is diagnosed with autism.

The London premiere is presented by Kibo Productions, who selected it from some 200 scripts received after an open submissions call. It’s […]

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    Q&A video and photos: Discussing racism & representation at Rasheeda Speaking

Q&A video and photos: Discussing racism & representation at Rasheeda Speaking

What a provocative play and post-show discussion! Are we all racist? How different are racial relations in 21st-century America versus Britain? How do we get more unheard voices onstage? Can white men tell valid stories about minority groups? Should they?

Joel Drake Johnson’s four-hander Rasheeda Speaking caused a stir when it was first seen in Chicago and New […]

  • Waiting for the Siberian Lights company to take their seats at the Q&A. © Darren Ross
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    Q&A video and photos: What happens in the Dames loo on a Friday night?

Q&A video and photos: What happens in the Dames loo on a Friday night?

I missed a trick with my questions last night at the world premiere of DAMES, the surreal comedy about six millennial women who meet in a nightclub loo, which marks the playwriting debut of Charlotte Merriam and the producing debut of Siberian Lights, the company she co-founded with three of her peers at Royal Welsh College […]

  • The full military monty:  The entire Soldier On company took part in the post-show Q&A at the Playground Theatre. © Peter Jones
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    Q&A photos and podcast: How has theatre helped Soldier On‘s veterans recover?

Q&A photos and podcast: How has theatre helped Soldier On‘s veterans recover?

I’m pretty certain that my event last night at SOLDIER ON was my largest-ever panel for a post-show Q&A: in total, there were 19 of us, including me. Thank goodness the Playground Theatre had plenty of chairs and just enough room to arrange them in arc across the stage (I chose to stand and rove!).

Such enthusiasm for the piece […]

  • Leading lady Julia Watson, author Ian Grant & director Nadia Papachronopoulou at After the Ball Q&A at Upstairs at the Gatehouse. © Peter Jones
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    Q&A video and photos: Celebrating mothers, daughters and gender equity at After the Ball

Q&A video and photos: Celebrating mothers, daughters and gender equity at After the Ball

When you hold a post-show Q&A on Mothering Sunday, it’s awfully helpful to have a mother of one of the show’s stars in the cast. (Though I do hope After the Ball cast member Emily Tucker treated her mum to a slap-up meal afterwards in the buzzing bar and restaurant at the Gatehouse!)
Inevitably, we […]

  • Get your free Caesar gear in the pit at the Bridge Theatre
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    WATCH show vlogs: Julius Caesar, Beginning, The Lady With a Dog and Foul Pages

WATCH show vlogs: Julius Caesar, Beginning, The Lady With a Dog and Foul Pages

I’ve been raving about Julius Caesar to everyone over the past few weeks, and particularly the experience of seeing it in the pit of the staggeringly versatile Bridge Theatre. This second production in the new 900-seater founded by former National Theatre Nicks Hytner and Starr really flaunts its wide-ranging ambition with this modern-dress Shakespeare.

Okay, […]