I laughed my head off watching Some Mothers Do 'Ave 'Em, and afterwards, got onto the wonderfully kitsch 1970s set myself to interview stars Joe Pasquale and Sarah Earnshaw and writer-director Guy Unsworth.
During rehearsals for The Boy in the Dress, I spoke to David Walliams about his inspiration for the original story, his burgeoning career as a children’s writer and how he feels having his work adapted by the RSC.
Arrows & Traps' 18th production in its five-year history is also its tenth at London's Brockley Jack Theatre, where it is now an associate company, and its third in a Gothic trilogy. And it's a corker.
I've seen Rufus Norris' multi-award-winning revival of Kander & Ebb's Broadway musical classic Cabaret twice before in the West End, when it first opened in 2006 and when it returned in 2010. It now kicks off a brand-new tour and it's more powerful than ever.
I had a fabulous time last week in Stratford-upon-Avon seeing Justin Audibert’s new re-gendered production of Shakespeare’s early “battle of the sexes” comedy The Taming of the Shrew (1591), set in a parallel Elizabethan universe where women are in charge.
Should country of birth define your identity or determine where you end up? Set in the near-future, Stand and Be Counted Theatre's highly political new play Where We Began imagines a world where a new universal law mandates that everyone must return to where they were born and stay there.
Are women punished in drama for liking sex and drink? What has modern classic The Rise and Fall of Little Voice got in common with Greek drama? What's the secret to vocal impressions?
When I first saw the Barn Theatre revival of Simon Stephens' 2003 play One Minute, I was struck by the stunningly assured direction of Barn artistic director Iwan Lewis making his directorial debut.
How did Irvine Welsh’s Trainspotting become a cultural phenomenon? I’m finally ready to immerse myself
I first saw Harry Gibson's stage adaptation of Irvine Welsh's Trainspotting in the 1990s when I was a recently-arrived-from-America twenty-something in London.
I'm pretty certain that my event last night at SOLDIER ON was my largest-ever panel for a post-show Q&A: in total, there were 19 of us, including me. Thank goodness the Playground Theatre had plenty of chairs.