If you'd never heard of the James Stagg before David Haig's latest play Pressure, don't feel bad: neither had he. Haig was approached by director John Dove and Edinburgh's Royal Lyceum Theatre who wanted to create a play about an unsung Scottish hero.
A warning to start: Beirut is not for the prudish. In this two-hander, Robert Rees' Torch starts the evening buck naked (doing pull-ups).
The Yellow Wallpaper Q&A video and photos: What does a 19th-century American short story tell us about modern misogyny and mental health?
Audience member Jessica McClellan at the Omnibus Theatre tweeted that last night's post-show discussion for The Yellow Wallpaper was "deep AF".
Before the performance at Tristan Bates Theatre, the 16-strong company of San Domino entertain theatregoers in the bar with some jaunty patriotic songs, with which they lead them into the auditorium.
Schism Q&A video and photos: Talking feminism, diversity, accessibility and toxic relationships with author-actor-activist Athena Stevens
Two scratch-your-head stats shared during my post-show Q&A for Schism last night at London's Park Theatre: one, less than five percent of the UK population has dated someone with a disability.
When I first saw the Barn Theatre revival of Simon Stephens' 2003 play One Minute, I was struck by the stunningly assured direction of Barn artistic director Iwan Lewis making his directorial debut.
So much laughter at last night's post-show Q&A for Katy Brand's debut play 3Women! Brand's 80-minute comedy-drama explores what it means to be a woman in the 21st century.
Spanish playwright Guillem Clua had to cancel his flight to London to attend last night's performance of his acclaimed two-hander The Swallow at the Cervantes Theatre - so he skyped in for the post-show Q&A.
The Big Things, at Barons Court Theatre, brings us into the world of Grace who, after meeting and falling in love with Malcolm and becoming a parent, is diagnosed with autism.
Getting the accents for lovers Kendra and Betty just right is indicative of the overall authenticity achieved in Matthew Gould's production.