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The Girl Who Fell post-show video and photos: How is social media affecting our mental health?

By |2020-01-25T15:30:08+00:0017 October 2019|

I feel like I've known writer Sarah Rutherford for years... that's one of the positives of social media. The irony is it's her new play, The Girl Who Fell, about some of the negatives of social media that finally precipitated my meeting her in person.

Post-show video and photos: Wrestling with absurdism, anthropomorphism & coercive control in Mites

By |2020-01-25T15:35:27+00:0016 October 2019|

A philosophising cat, a famished dog and a family of mites all make appearances - and strong impressions - in Mites, a new play by young British playwright James Mannion, written in the best traditions of the Theatre of the Absurd.

Danelaw Q&A video and photos: How do you find sympathy for white supremacists?

By |2020-01-25T15:56:37+00:0022 September 2019|

Can you be a racist if you don't think you are? Is there a difference between racism and 'racist attitudes'? How do you find sympathy for white supremacists? By finding sympathy are we making excuses?

At Last Q&A video and photos: How worried are you about the direction the UK is heading?

By |2020-01-25T16:17:32+00:0013 September 2019|

Are you worried about the state of politics and society in the UK today? That's the question I asked at the start of last night's post-show Q&A at London's Lion & Unicorn Theatre. The hands of all my panellists and nearly everyone sitting across from them in the audience shot up.

Q&A video and photos: What would Pete Buttigieg think of his Jekyll & Hyde incarnation?

By |2020-01-25T16:24:13+00:008 September 2019|

Arrows & Traps' 18th production in its five-year history is also its tenth at London's Brockley Jack Theatre, where it is now an associate company, and its third in a Gothic trilogy. And it's a corker.

The View Upstairs video and photos: What happened in New Orleans on 24 June 1973? Why should we remember?

By |2020-01-25T21:29:10+00:004 August 2019|

I had just enough time to wipe away my tears - I was sobbing - at the end of The View Upstairs before jumping up after the curtain call to announce this post-show Q&A at Soho Theatre.

The Falcon’s Malteser Q&A video and photos: How to detect an Anthony Horowitz page-to-stage hit

By |2020-01-25T22:02:14+00:0022 July 2019|

How did New Old Friends come to adapt Anthony Horowitz's 1986 children's novel The Falcon's Malteser into a hit family stage show? How has a new gender-equal, four-strong cast brought it to life for its London premiere?

Q&A photos: Exploring the cosmos with Matthew Broderick, Elizabeth McGovern and The Starry Messenger cast

By |2020-01-25T22:22:35+00:0019 June 2019|

How fitting to hold a post-show Q&A for The Starry Messenger during Loneliness Awareness Week. Kenneth Lonergan's beautifully delicate play considers the torment of, as New York Times' critic Ben Brantley puts it: "fallible, contradictory, lonely souls".

Salome Q&A video and photos: What would the censor have made of this regendered version of Oscar Wilde’s play?

By |2020-01-25T22:50:19+00:0022 May 2019|

After The Tempest and Lord of the Flies, my last of three post-show Q&As with Lazarus Theatre company for their 2019 season at Greenwich Theatre was last night to their new version of Oscar Wilde's Salome.
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