Tuesday 17 March 2020. One of the last theatre performances -for the foreseeable future - in the theatre capital of the world took place at London's Old Red Lion Theatre. A historic, sobering moment, one of many during the global coronavirus crisis.
How worried are you about the myriad pressures on the NHS today? Will you be thinking about the future of the NHS when you go to the ballot box?
The House of the Spirits post-show video and photos: How does a country – and a family – recover from dictatorship?
Are you fans of Isabel Allende's The House of the Spirits? Allende's debut novel charts four generations of one family from the 1920s and the 1970s, and how tightly intertwined their personal fortunes are with political winds of change.
The Good Scout post-show video and photos: How worried should we be about parallels between the 1930s and today?
While MPs were voting for an election that is likely to accelerate the UK's lurch to the right, I was back at Above The Stag Theatre last night talking about the increasingly worrying parallels - and historic dominoes - between the 1930s and today. Is it any wonder that The Good Scout left me in tears, even on second viewing?
Despite singing the songs of Sinatra since he was a teenager, Richard Shelton was turned down multiple times for a part in concert show The Rat Pack. When he was invited to audition for Rat Pack Confidential, he went in angry and impatient... and finally got his man.
I'm a huge fan of the late, Pulitzer Prize-winning American playwright Sam Shepard. How wonderful to be able to discuss one of his late plays, Ages of the Moon, which now receives its UK premiere two years after Shepard passed away.
As part of an ongoing series, I've chaired post-show talks with various Mischief Theatre casts this year, all of whom waxed lyrical about the brilliance of the company founders. At Groan Ups, I had a chance to pose questions to those original mischief-makers themselves.
I feel like I've known writer Sarah Rutherford for years... that's one of the positives of social media. The irony is it's her new play, The Girl Who Fell, about some of the negatives of social media that finally precipitated my meeting her in person.
A philosophising cat, a famished dog and a family of mites all make appearances - and strong impressions - in Mites, a new play by young British playwright James Mannion, written in the best traditions of the Theatre of the Absurd.
Can you be a racist if you don't think you are? Is there a difference between racism and 'racist attitudes'? How do you find sympathy for white supremacists? By finding sympathy are we making excuses?