Making musical history: Privates on Parade, Ordinary Days and The End of History
Clockwise from top: Privates on Parade, Ordinary Days and The End of History
Acts of theatre resistance: Insignificance, The Lorax, Young Marx, Imagine This, Bernarda Alba
Clockwise from top left: Young Marx, The House of Bernarda Alba, Insignificance, Imagine This
Musicals diary: Hair, Five Guys Named Moe, Young Frankenstein
Clockwise from top: Five Guys Named Moe, Young Frankenstein and Hair. In the
Press Pass: Everything you need to know about Follies at the National
Sondheim's Follies is a monster hit at the National Theatre What do you
My (non-Edinburgh) theatre diary: Salad Days, Mrs Orwell, Boom and Cowboy Rufus
Clockwise from top left: Mrs Orwell, Salad Days, Boom and King Cowboy Rufus Rules
From Page to Stage Q&A podcast and photos: How is the international scene changing for new musicals?
Two years ago, I chaired the opening night discussion at the third annual From Page to Stage festival of new musicals founded by Aria Entertainment's Katy Lipson. The central question on that occasion was "are we doing enough to nurture new musicals?" And the central answer was no.
Musicals diary: Spoonful of Sherman, Adrian Mole, Girl from the North Country
Sheila Atim & Shirley Henderson in Girl from the North Country; Ilan Galkoff and
Q&A podcast and photos: How new British one-man musical Superhero took flight
How many creatives does it take to make a one-man musical? The answer can be "quite a few". And that it is in the case of SUPERHERO, the British one-man - or rather "one-dad" - musical now receiving its world premiere at London's Southwark Playhouse.
My theatre diary: West End Live, Lady Day, Hamlet and Quentin Dentin
My theatre diary w/c Sunday 25 June 2017: Lady Day at Emerson's Bar &
Q&A photos and podcast: Swinging Sixties-style with new musical Pete ‘n’ Keely
A string of hits, a cast of two, ‘Forever Plaid’ meets ‘I Do, I Do’. James Hindman's 2000 Off-Broadway musical two-hander Pete ‘n’ Keely gets its European premiere at Tristan Bates Theatre. The production, directed by Matthew Gould, stars David Bardsley and Katie Kerr as the titular stars in a primetime TV bust-up.