Mar
26
Tue
2019
MIXED-GENDER REVIVAL OF Lord of the Flies: Lazarus Theatre post-show panel debate @ Greenwich Theatre
Mar 26 @ 7:30 pm – 10:00 pm
Lord of the Flies returns to Greenwich Theatre from 20 to 30 March 2019

Lord of the Flies returns to Greenwich Theatre from 20 to 30 March 2019

After events for Edward II, The Caucasian Chalk Circle, The Taming of the Shrew, ‘Tis Pity She’s a Whore, The Beggar’s Opera and Tamburlaine, I’m delighted to reunite with Lazarus Theatre to chair a series of post-show debates with the company and its guests at Greenwich Theatre: Shakespeare’s The Tempest, William Golding’s Lord of the Flies and Oscar Wilde’s Salome.

“What are we? Humans? Animals? Or savages?”

William Golding’s explosive 20th-century classic returns to the London stage after a smash hit run in 2018.

Eleven children, one island… an incredible adventure turns into a fight for survival.

Lord of the Flies is the second production in Lazarus Theatre’s second year-long season at the Greenwich Theatre after the company’s critically acclaimed, sell-out run in 2018.

★★★★ “A strong & stirring production, making a classic story feel as if it was written yesterday – the performances are excellent” – Mind the Blog

★★★★ “A visceral & irresistible production” – Broadway Baby

Awarded the Nobel Prize for Literature in 1983, Golding’s writing continues to touch every country in the world and is today read in more than 35 languages. Lord of the Flies, published in 1954, was named in the Modern Library 100 Best Novels.

Golding was knighted by the Queen in 1988. In addition to Lord of the Flies, he wrote 11 other novels, as well as stage plays, essays and short stories.

For the Q&A after the 7.30pm performance of Lord of the Flies on Tuesday 21 March 2019, I’ll be joined by Lazarus artistic director Ricky Dukes and a panel of expert guests.

 

Buy tickets to LORD OF THE FLIES

 

Apr
1
Mon
2019
LIFE AS A MINORITY IN TRUMP’S AMERICA: Half Me, Half You post-show debate @ Tristan Bates Theatre
Apr 1 @ 6:00 pm – 9:00 pm
Half Me, Half You runs at London's Tristan Bates Theatre from 26 March to 6 April 2019

Half Me, Half You runs at London’s Tristan Bates Theatre from 26 March to 6 April 2019

Anyone who follows me on Twitter (and particularly my @TerriOnPolitics account) will know just how concerned I am by the accelerating authoritarianism on display in my native United States. Playwright Liane Grant does follow me and so knew that the opportunity to chair a post-show discussion on her new play would be one I couldn’t turn down…

What if you were black, gay and a woman in America right now?

In Half Me, Half You, Jess and Meredith are a married, interracial, gay couple living in New York in 2017 – the era of Trump – weathering a new wave of intolerance, discrimination and oppression, which is sweeping the nation and seeping into their home.

16 years later, Maya, a biracial British teen is forced into American life, braving the aftermath of a second civil war, and changing Meredith’s life irrevocably.

Returning after its highly praised 2018 run in New York and London, in her remarkable writing debut, Liane Grant’s Half Me, Half You confronts the reality of the current global climate and explores the consequences for future generations, while reminding us that we are all simply people searching for love and acceptance.

How are they manifesting in society, nationally and internationally? How is the arts industry addressing them? How big a problem is hate crime becoming in the UK today? What can we practically do as individuals to resist?

After the 6pm performance of Half Me, Half You on Monday 1 April 2019, I’ll tackle issues explored in the play with Liane Grant and special guests including Olivier Award-winning actor and director Maria Friedman and Stop Hate UK‘s CEO Rose Simkins.

 

Buy tickets to HALF ME, HALF YOU

 

Apr
5
Fri
2019
TIMELY POLITICAL REVIVAL Tony’s Last Tape based on Tony Benn’s diaries: Post-show Q&A with author, director and star @ Omnibus Theatre
Apr 5 @ 7:30 pm – 10:00 pm
Philip Bretherton stars as Tony Benn in Tony's Last Tape at London's Omnibus Theatre 2-20 April 2019. © Robert Day

Philip Bretherton stars as Tony Benn in Tony’s Last Tape at London’s Omnibus Theatre 2-20 April 2019. © Robert Day

It’s fair to say that seeing Tony’s Last Tape in 2015 ignited my own political activism, as well as sparking a bit of an obsession with all things Tony Benn. I can’t wait to talk to the team behind it for this incredibly timely London return season.

“There is no final victory, there is no final defeat.
Just the same battles which have to be fought over and over and over again.”

An old man sits in a room faced with a collection of recording devices that he has collected over his long and eventful life. He opens a drawer, takes out a pipe, unscrews his flask and pours himself the first cup of tea of the day. For more than fifty years, he has been recording everything that has happened to and around him, but today he has decided to make his last tape.

Award-winning playwright Andy Barrett and director Giles Croft revive this timely one-man play based on the diaries of one of Britain’s most respected, divisive and celebrated politicians, former Labour Party Cabinet minister and president of the Stop the War Coalition Tony Benn (1925-2014).

After a sold-out run at Nottingham Playhouse, Philip Bretherton reprises his much-celebrated role as Tony Benn, revealing the struggle of a man who – having found himself no longer ‘the most dangerous man in Britain’ but something of a national treasure – realises that it is time to gracefully withdraw from the fight. If only it was that easy.

Author Andy Barrett said:

“The timing feels right to bring Tony Benn’s story back to life. With a national debate about the kind of society that might be shaped, ready to be unleashed once the Brexit dust settles, and the Labour party using the word socialism with increasing confidence, it’s clear that Benn’s time as a political thinker has come again. He’s as relevant now as he’s ever been.”

The run at Omnibus will also be accompanied by an exhibition, Power: Missiles, Miners & Monarchy, unique voice portraits (Sonograms) of Tony Benn by socio-political artist and activist Tracey Moberly.

For the post-show Q&A after the 7.30pm performance of Tony’s Last Tape on Friday 5 April 2019, I’ll be joined by author Andy Barrett, director Giles Croft and actor Philip Bretherton. Tickets priced £16 (concessions £13). CLICK HERE TO PURCHASE!

Apr
8
Mon
2019
EUROPEAN PREMIERE Cry Havoc: Post-show Q&A with stars & creatives @ Park Theatre
Apr 8 @ 7:45 pm – 9:45 pm
The European premiere of Cry Havoc runs at London's Park Theatre 27 March-20 April 2019

The European premiere of Cry Havoc runs at London’s Park Theatre 27 March-20 April 2019

“Love is a search for faith. Love is passion. Putting your hand in the fire and believing. Ripping your heart out and laying it on a sidewalk for mobs to trample. What would you do for love?”

In present-day Cairo, two men are forced to confront their cultural identities, traditions and a repressive government in a gripping search for love and faith.

Cry Havoc is a passionate love story between a spirited young Egyptian and an idealistic British writer.

Award-winning American playwright Tom Coash’s poignant, intimate play explores the relationship between the Western world and the Islamic Middle East through the eyes of two people asking if love can bridge even the widest cultural divide. Coash spent four years teaching playwriting in Cairo and brings a true authenticity to this tale.

Cry Havoc is a play that will break your heart… should not be missed under any circumstances” – Artlink

The European premiere of Cry Havoc stars Marc Antolin (Little Shop of Horrors, The Flying Lovers of Vitebsk, Taken at Midnight, Peter Pan, Matilda) and James El-Sharawy (The Fifth Column, The Cutting of the Cloth) as Nicholas and Mohammed, along with Karren Winchester.

The production, directed by Pamela Schermann, is presented by Time Zone Theatre in association with The Production Exchange and Park Theatre.

Following the 7.30pm performance (80 minutes) of Cry Havoc on Monday 8 April 2019, I’ll chair a post-show Q&A with the company. CLICK HERE FOR TICKETS!

Apr
30
Tue
2019
COMING-OF-AGE DAVID BOWIE TALE Heroes: Post-show Q&A with the writers & cast @ Drayton Arms Theatre
Apr 30 @ 7:30 pm – 10:00 pm
Henry George Lewis in Heroes. © Gregory Birks

Henry George Lewis in Heroes. © Gregory Birks

Calling all David Bowie fans! Come join me for this acclaimed new play and help me mark my Drayton Arms Theatre post-show Q&A debut at the same time.

Heroes_posterHEROES is a coming-of-age story set in the summer of 1972 to the soundtrack of Ziggy Stardust and the Spiders from Mars. The humdrum lives of Joe and Billie are changed forever after witnessing David Bowie performing Starman for the first time on Top of the Pops.

Determined to attend Bowie’s upcoming London gig, the friends leave home on what becomes a rollercoaster ride of self-discovery where the lines between hero worship and friendship become blurred.

HEROES is co-written by Bebe and Tony Barry and directed by Ben Woodhall. It’s presented by Exploding Whale, hot off the heels of their Offie-nominated production of Much Ado About Nothing, which was directed by Ellie Morris (of the Oliver Award-winning Mischief Theatre) and had sell-out runs at Katzpace, Edinburgh and Brighton Fringe, Bridge House Theatre, and Sydenham Arts Festival.

HEROES stars Henry George Lewis and Bebe Barry as Joe and Billie. They’re joined in the cast by Gregory Birks, Julian Bailey Jones, Mica Williams, Lily Smith and Dan Ciotkowski.

Following the 7.30pm performance on Tuesday 30 April 2019, I’ll chair a post-show Q&A with the HEROES writers and company. CLICK HERE FOR TICKETS!

May
21
Tue
2019
OSCAR WILDE’s PREVIOUSLY BANNED Salome: Lazarus Theatre post-show panel debate @ Greenwich Theatre
May 21 @ 7:30 pm – 9:30 pm
Salome runs at London's Greenwich Theatre from 14 to 25 May 2019

Salome runs at London’s Greenwich Theatre from 14 to 25 May 2019

After events for Edward II, The Caucasian Chalk Circle, The Taming of the Shrew, ‘Tis Pity She’s a Whore, The Beggar’s Opera and Tamburlaine, I’m delighted to reunite with Lazarus Theatre to chair a series of post-show debates with the company and its guests at Greenwich Theatre: Shakespeare’s The Tempest, William Golding’s Lord of the Flies and Oscar Wilde’s Salome.

“Salomé, Salomé, dance for me.
I pray thee dance for me…”

Sexual, fiery, dangerous and decadent…

King Herod asks Salomé to dance for him… this request leads to The Dance of the Seven Veils and one of the most shocking, thrilling and scandalous climaxes ever seen on stage.

Originally banned in Britain, Oscar Wilde’s outrageously provocative 1891 Salomé comes to the stage in this exotic and exquisite new, 90-minute production, adapted and directed by Lazarus Theatre artistic director Ricky Dukes. It’s the final production in Lazarus second year-long residency at The Greenwich Theatre.

For the Q&A after the 7.30pm performance of Salome on Tuesday 21 May 2019, I’ll be joined by Ricky Dukes and a panel of expert guests.

Buy tickets to SALOME