Sheila Atim & Shirley Henderson in Girl from the North Country; Ilan Galkoff and
Clockwise from top: Around the World in 80 Days, Flood and The Wasp.
Dan Crawford features on the wall at the King's Head. © Jonny Fielding
Is Shakespeare's The Taming of the Shrew inherently misogynistic? Particularly with its treatment of spirited Kate, the Shrew of the title, who is starved and mentally tormented (gaslighting long before Patrick Hamilton, Ingrid Bergman or Donald Trump).
It's always a real privilege to have the playwright involved when you're chairing a post-show Q&A. But when the play is also based on the playwright's own best-selling memoir... When the memoir recounts his relationship with a legend like Lucille Ball... Well, that's extra special.
Before I attended King Kong, Daniel Clarkson's bonkers stage parody of the 1933 film classic, last week at The Vaults, I never knew there was such a thing as a nose flute.
How many creatives does it take to make a one-man musical? The answer can be "quite a few". And that it is in the case of SUPERHERO, the British one-man - or rather "one-dad" - musical now receiving its world premiere at London's Southwark Playhouse.
My theatre diary w/c Sunday 25 June 2017: Lady Day at Emerson's Bar &
Just 11 months after I chaired my first post-show talk for Jon Brittain's Rotterdam - then at Trafalgar Studios for its West End premiere - and so much has changed. The play went on to win an Olivier Award and transfer to New York before now returning for its second West End run.