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Miles Richardson & director Jonathan O'Boyle with Terri Paddock at Dear Brutus post-show Q&A at Southwark Playhouse, 5 December 2017. © Anthony Kelly

Miles Richardson & director Jonathan O’Boyle with Terri Paddock at Dear Brutus post-show Q&A at Southwark Playhouse, 5 December 2017. © Anthony Kelly

Another fascinating rediscovery from Troupe Theatre. J.M. Barrie is best known, of course, for Peter Pan (and there are no shortage of revivals and spin-offs of that around Theatreland at the moment), but he also authored myriad novels and numerous other stage works, including The Admirable Crichton, Quality Street, Echoes of War, the opera Jane Annie (with a libretto co-written by Sherlock HolmesArthur Conan Doyle) and Dear Brutus.

Dear Brutus was an instant hit when it premiered in 1917 at the West End’s Wyndham’s Theatre, where it ran for 365 performances – and again when it was revived in 1922, clocking up another 258 performances. But it has rarely been seen since. Jonathan O’Boyle directs this centenary production at Southwark Playhouse, where Troupe had another hit with another ‘lost’ masterpiece earlier this year, James Shirley’s 17th-century tragedy The Cardinal.

See more Dear Brutus production shots - showing designer Anna Reid's wonderful set & costumes (as mentioned on Q&A podcast) on MyTheatreMates

See more Dear Brutus production shots – showing designer Anna Reid’s wonderful set & costumes (as mentioned on Q&A podcast) on MyTheatreMates. CLICK HERE TO VIEW.

Though first produced 13 years after Peter Pan (1904), Dear Brutus contains echoes of Barrie’s earlier work, particularly in its structure of characters flitting, and having to choose, between the real world and fantasy alternative. It also draws heavily on Shakespeare. There are obvious parallels to A Midsummer Night’s Dream, with midsummer forays into a magical wood and even an elderly Puck namesake character, and the play takes its title from the line in Julius Caesar, “The fault, dear Brutus, is not in our stars, but in ourselves.”

And one of the central questions in the play is: can we ever really change ourselves? Or put another way, how many of us, if and when given a second chance, will seize it?

Those were amongst the questions debated as part of yesterday’s post-show discussion, as well as much about Barrie’s legacy, why Peter Pan overshadows all else, how his predilections as a novelist can be seen in his playscripts (and the challenges that presents for directors and actors), First World War metaphors and some eye-raising questions about ‘the noble child’. Have a listen to the unedited Q&A podcast for full details, plus Q&A live-tweeting care of @Troupe_Theatre.

I was joined for the Q&A by director Jonathan O’Boyle, Troupe producer Ashley Cook and the majority of the 11-strong cast: Miles Richardson, Venice van Someren, Emma Davies, Josie Kidd, Bathsheba Piepe, Charlotte Brimble, Helen Bradbury, Simon Rhosdes, Robin Hooper and James Woolley.

Dear Brutus runs at Southwark Playhouse until 30 December 2017, with Monday to Saturday performances at 8pm, Tuesday and Saturday matinees at 3.30pm. Tickets are priced £20 (concessions £16). CLICK HERE TO BUY.


Pre-show video


Podcast


Q&A photos

All event photography by Anthony M Kelly.

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Live-tweeting


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